Showing posts with label biography. Show all posts
Showing posts with label biography. Show all posts
Sunday, 14 July 2013
Review: Marilyn: Norma Jeane by Gloria Steinem
Like so many others, I am fascinated by Marilyn Monroe. She was a gorgeous, iconic, complex and ultimately tragic woman. I think it's the mystery of Marilyn, the enigma of her life, that makes her legend so enduring. Sure, the many photographs of her that are part of the fabric of our pop culture are absolutely stunning, but I think it's about more than the pretty face and gorgeous body. It's the soul that reaches out of her eyes - the sadness, hope, confidence, insecurity, intelligence, fear, innocence, loneliness, sensuality - the myriad facets of Marilyn that continues to touch our hearts and get under our skin.
I've seen a few documentaries and trashy TV movies about Marilyn's life, but this was my first biography. I think it was a good place to start to get a taste of the truth. It's short and covers each aspect of her life only briefly, but the key information is there and, more importantly, a sympathetic and authentic portrait of Marilyn herself. Steinem focuses on a different theme in each chapter - childhood, body image, career, marriage, and so on - and by looking at such aspects of Marilyn separately, you get a more comprehensive understanding of the whole woman.
Drawing heavily on Marilyn's own writing and interviews, Steinem attempts to get at the heart of the star. What emerges is an overarching picture of a woman of many contradictions. She was incredibly beautiful but incredibly insecure. She was seen as a sex goddess but didn't particularly enjoy sex herself. She was very intelligent but consistently cast as the dumb blonde, both on screen and off. She wanted to be taken seriously as an actress but was forced into silly roles in dubious comedies again and again. She was an independent career woman whilst remaining chronically needy of men. She desperately wanted to be loved but had no relationships that lasted. She had fans all over the world but was unbearably lonely. She was terrified of the mental illness that took her mother and grandmother, but spent most days self-medicating with alcohol and assorted drugs. She had fraught relationships with women and often felt judged by them, but was also at her most comfortable around other women and had some strong female friendships. She loved children and yearned to be a mother, but for one reason or another, she had multiple abortions. She was childlike and innocent but also very sexy and sensual. She was Norma Jeane and she was Marilyn.
Ultimately, Marilyn's tale is an impossibly sad one. Steinem handles it with intelligence, respect and a sense of poignancy. Through her words, you get a sense of not only the Marilyn that was but the Marilyn that could have been. In many ways she was ahead of her time, and had she been born 50 years later, her tale might have ended very differently. But then, without Marilyn, the world might be a very different place.
Rating: 4/5
Fine Print
Published: March 2013, Open Road (first published 1986)
Source: Netgalley
Get It: Amazon
Labels:
biography,
four stars,
gloria steinem,
marilyn monroe,
netgalley,
norma jeane,
review
Saturday, 17 November 2012
Book to TV Movie: Stuart: A Life Backwards
I first heard of Stuart: A Life Backwards when I saw the trailer for the movie on TV. It looked dramatic, intense and brilliant - especially thanks to the acting of Tom Hardy, from what I could tell - so I was definitely intrigued. Then I kind of forgot about it, until I came across the book at the library and knew I had to read it. It quickly became one of my favourite books of the year, and after reading it I knew I had to watch the movie asap.
I finally got my hands on it (ahem, it's on YouTube) and I have to say my first impression from the ad was correct - it's dramatic, intense and brilliant. Tom Hardy is an AMAZING Stuart. He embodies the character in a literal, physical way; changing his posture, body language, facial expressions and even his voice. He captures Stuart's humour and heart, but doesn't shy away from his incredibly dark side. Hardy's performance is so raw, gritty and utterly heart-wrenching that it's difficult to watch at times, but you can't look away all the same. He's completely compelling.
Also brilliant is Benedict Cumberbatch as Stuart's biographer, Alexander. He's spot-on as the middle class intellectual, perfectly delivering his wry observations and air of nervous affection around his subject. It's the odd couple that Alexander and Stuart form that is placed at the centre of the movie, and amongst a helluva lot of horrible back story, it's a joy to watch. Hardy and Cumberbatch have a wonderful chemistry.
The style of the film perfectly captures and conveys the essence of the novel. Aside from the amazing performances, the timing and structure are well done, interspersing harrowing flashbacks with more heartwarming scenes at just the right intervals. The soundtrack is utilised to wonderful effect; one of my favourite scenes is when Stuart and Alexander bond over singing along (quite badly) to Babybird's 'Because You're Gorgeous' in the car (who can resist a car singalong?!). Animation is also used a few times to communicate Alexander's hilarious imaginings (like his worry that Stuart will steal everything the first time he's in his flat), and it ties in nicely with the illustrations in the novel.
Obviously things had to be left out and altered to adapt the story to fit the one-and-a-half-hour movie format, but the film is remarkably faithful to the spirit of the novel. The only thing I really missed was the scene from Stuart's stay in the country with Alexander's friends; what appears at first to be one of Stuart's fits actually turns out to be him saving the place from some robbers. It's an effective scene in the book, playing with the readers' assumptions and shining a new light on Stuart, but I can understand that it would have been cut from the movie for simplicity and time. As it is, all the key events and elements are in there, touching on all the important emotions; in the space of an hour and a half, you'll laugh, get mad, get sad, probably cry and definitely feel incredibly ill. Stuart was a remarkable man who led a difficult and short life; it's heartening that, though he didn't live to see it, his story will continue to touch many, thanks to his friend Alexander's book - and this movie.
Rating: 5/5
Related
This interview with Hardy and Cumberbatch made me smile. Watch it after seeing footage from the movie to realise just how much Hardy transformed himself for the role. Brilliant.
Sunday, 23 September 2012
Review: Stuart: A Life Backwards By Alexander Masters
Thankfully, Alexander took Stuart's advice and rewrote the book, and so begins a journey back through time to discover not just the cause of the death of Stuart's innocence, but of Stuart himself - he died of probable suicide before the second version of the manuscript was complete. I know, it sounds completely dreary and depressing - and it completely is at times - but more often than that it's totally entertaining and even inspiring. Which sounds a bit morbid in the same paragraph as suicide, but I guess it shows just how strange - and brilliant - this book is. A bit like Stuart himself.
In theory, Stuart shouldn't work as a hero. He's vulgar, violent and a little bit (OK, a lot) mad, spending much of the story either homeless or in prison. But he's also charming, wise and strangely moral in his own way. It's this paradoxical nature that makes him so fascinating and, ultimately, likable. In Alexander's capable hands, Stuart's character jumps from the page, his voice captured perfectly so that you feel as though he's right in front of you.
One of the reasons Alexander seems to have been able to capture Stuart so well is because he appears to have developed a strong and genuine friendship with his subject. Some might question how appropriate this is for a biographer, but it works. In fact, one of the loveliest aspects of the book is the unlikely friendship between the middle class, sheltered writer and the irrepressible vagabond. That's not to say it's an easy relationship. Alexander is frequently uncomfortable in Stuart's company, and even more frequently irritated. But through his honest and amusing account of his reactions and thoughts, Alexander makes Stuart accessible and real. These humourous encounters also act as much-needed breaks from the flashbacks to Stuart's earlier life, which gets darker and more disturbing the further back we go.
You can probably guess what happens, although perhaps not all of it. Let's just say it's horrific and graphic and made me feel physically ill. While it makes Stuart all the more inspiring, it also reinforces the great tragedy of his tale. If he was that brilliant, in his own way, after all he'd been through - imagine the kind of man he would have been if the "boy he was" hadn't been murdered.
Excuse me while I go pick up the broken pieces of my shattered heart from the floor.
Rating: 5/5
Favourite Quotes
"If Stuart is a freak... it is because he has had the superhuman strength not to be defeated by this isolation. It is because he has had the almost unbelievable social adroitness to be able to fit in smoothly with an educated, soft-skinned person like myself and not make me frightened half to death. If Stuart's a freak, I salute freaks."
“For a moment, I believe, there was a stillness. A shocking realization by all things - beetles, dormice, the spiders spinning their webs in the moonlight, even the hot metal of the tracks and the wind in the trees - that Death had just shrieked past like a stinking black eagle and made off with a remarkable man."
Related
- Read about Stuart's sister Zoe's experiences and reaction to the book here (spoiler warning if you haven't read the book).
- Stuart: A Life Backwards was adapted into a movie starring Tom Hardy and Benedict Cumberbatch. It looks amazing. Hopefully I can track down a copy soon - if I do, I'll post a review!




