Showing posts with label non fiction. Show all posts
Showing posts with label non fiction. Show all posts

Tuesday, 30 December 2014

GIF Reviews: Rounding Up The Last Few Months Of Reading

I have been a terrible blogger this year. I haven't really had the time to blog and have considered just shutting it down several times. But I can never bring myself to do it. This blog has brought me a lot of joy and friendship over the past few years and I don't want to let that go. But it sits here, lonely and neglected, leaving me with an uneasy feeling of failure. I tell myself I'm just going to blog when I feel like it, but the pile of unreviewed books mounts and the task of getting back into it becomes more and more overwhelming. So, in an attempt to get past that and to start fresh in the new year - and see where that takes me - I'm cheating a little and doing the briefest reviews possible in an attempt to catch up, because I still want to log my feelings on each book but I don't want to write full reviews. So I'm going to do it in the language I'm most fluent in, other than English - GIFs, of course. Here we go...


The New World (Chaos Walking book 0.5) by Patrick Ness
In a sentence: This short story of how Viola came to the New World, and the crash that killed her parents, complements The Knife of Never Letting Go brilliantly.
In a GIF:



Rating: 3.5/5

The Ask and the Answer (Chaos Walking book 2) by Patrick Ness
In a sentence: The stunning, action-packed sequel to The Knife of Never Letting Go, that sees Todd and Viola separated and forced to make impossible choices that will leave you emotional, raw and bleeding all over the place.
In a GIF: 

Rating: 5/5

The Wide, Wide Sea (Chaos Walking book 2.5) by Patrick Ness
In a sentence: A short story that gives a little bit of background info on Mistress Coyle, Viola's mentor of sorts, and tells of the impossible love between a Spackle and a human - a beautiful, bittersweet interlude that deserves a book of its own.
In a GIF:

Rating: 4/5

When Love Comes to Town by Tom Lennon
In a sentence: Rugby-playing bloke's bloke Neil comes to terms with his sexuality in 1990s Dublin - at times heartbreaking, at times touching, the book is let down by several plot holes and a lack of cohesion.
In a GIF:

Rating: 3/5

Ever by Gail Carson Levine
In a sentence: Bland, simple god falls for bland, simple mortal and the bland, simple plot drags on through bland, simple writing towards a bland, simple HEA.
In a GIF: 

Rating: 2/5

The Legend of Sleepy Hollow by Washington Irving, audiobook narrated by Tom Mison
In a sentence: The classic tale of Ichabod Crane and the Headless Horseman is surprisingly funny in its original form, narrated perfectly here by the same actor who plays Crane in the new TV show.
In a GIF: 

Rating: 3.5/5

Outlander by Diana Gabaldon, audiobook narrated by Davina Porter
In a sentence: WWII nurse and awful person Claire is on a second honeymoon with her husband in Scotland when she is pulled back through time; she soon forgets her husband when she conveniently ~has to~ marry a hot Scottish guy - who is also an awful person who beats her, but that's somehow OK because they have lots of sexy sexy sex times together.
In a GIF:

Rating: 1/5

Forever by Judy Blume
In a sentence: This story of first love and first times is important and fills me with nostalgia - but upon rereading it's hard to look past the frankly bad writing and story (which feels blasphemous to say but is sadly true).
In a GIF:

Rating: 2/5

Lady Windermere's Fan by Oscar Wilde, audiobook performance by Roger Rees, Eric Stoltz, Joanna Going and Miriam Margolyes
In a sentence: A delightful performance of the classic play, I found it entertaining but I didn't ~love~ it as much as some of Wilde's other works I've read (a.k.a. listened to) this year.
In a GIF:

Rating: 3/5

Monsters of Men (Chaos Walking book 3) by Patrick Ness
In a sentence: Edge-of-your seat, gut-wrenching conclusion to the Chaos Walking series that stays with you long after you've finished.
In a GIF:

Rating: 5/5

Snowscape (Chaos Walking book 3.5) by Patrick Ness
In a sentence: Basically an extended epilogue to Monsters of Men WHICH WAS 100% FINE WITH ME.
In a GIF:

Rating: 4/5

Gone Girl by Gillian Flynn
In a sentence: Rich white woman goes missing, the husband is the number one suspect - but it's so much more than that, and left me feeling very, very conflicted.
In a GIF:

Rating: 3.5/5

Vampire Academy by Richelle Mead
In a sentence: This was a reread-a-long, and I unfortunately didn't love the book as much on the revisit - but I still liked it.
In a GIF:

Rating: 4/5

Fawn Brown by Zoe McAuley, audiobook narrated by Katherine Kellgren
In a sentence: Fawn Brown is Snow White's overlooked half-sister, revealing the "true" story of the fairy tale. This is a short novella with an interesting take on the classic story, narrated beautifully by Kellgren.
In a GIF: 

Rating: 3.5/5

Salome by Oscar Wilde, audiobook performance by Rosalind Ayres, James Marsters et al.
In a sentence: A historical/biblical play with feminist undertones - although a little hard to follow at first, this performance really was wonderful to listen to.
In a GIF: 

Rating: 3.5/5

Language A to Z, audio lecture series by Professor John McWhorter 
In a sentence: An engaging intro into linguistics using a word for each letter of the alphabet as a clever and interesting framing device.
In a GIF: 

Rating: 3.5/5

Saving Francesca by Melina Marchetta, audiobook narrated by Rebecca Macauley
In a sentence: I revisited this emotional and authentic story of a teen girl dealing with her mother's depression - and her own issues - via audiobook, with lovely narration by Macauley.
In a GIF:

Rating: 5/5

The Piper's Son by Melina Marchetta, audiobook narrated by Michael Finney
In a sentence: The heart-wrenching follow-up to Saving Francesca, this time from the perspective of Hot Mess Tom Mackee and his aunt Georgie - a revisit for me via audiobook again, with good narration from Finney.
In a GIF:

Rating: 5/5

Wednesday, 13 November 2013

Mini Reviews: The Boss, A Story of Grief and Rapunzel Untangled



The Boss by Abigail Barnette
The gist: Years ago, Sophie had an amazing one-night stand that changed her life. She never expected to see the guy again - so she gets a shock when he turns out to be her new boss. But she's not going to let that little detail get in the way of her fun...
My thoughts: I don't really read this genre, but when I heard this book touted as the anti-50 Shades I wanted to check it out. I enjoyed the author's hilarious and intelligent recaps of that series, so I hoped I'd like her take on a similar story. I haven't read 50 Shades of Grey myself, but from everything I've heard, The Boss seems much, much better. Sophie is strong-willed and independent and a willing, consenting participant in her BDSM relationship. In fact, she is the one who initiates it. And it's not because of some traumatic sexual experience from her past (or his, for that matter) - she just happens to like it. I appreciated that aspect, even if the relationship itself wasn't exactly my cup of tea. I didn't find Neil particularly attractive - he's much, much older than Sophie for one, which was kinda off-putting for me. But hey, each to their own. Points for having an actual plot, too, although I didn't really buy the head of  a major company taking the time to edit a magazine - that's what you hire editors for. Also I didn't quite get why certain things happened towards the end, which was a bit frustrating. But overall a decent read. 3/5


A Story of Grief by Michaela McGuire (Source: Netgalley)
The gist: An exploration of Jill Meagher's disappearance and death and the effect it had on the Australian public, and the city of Melbourne in particular.
My thoughts: This is a very brief but effective account of the murder of Jill Meagher and the way the public grieved over this woman we didn't know. Though as McGuire highlights, while she may have been a stranger, at the same time Jill was someone who many of us recognised - we saw ourselves in her. As McGuire writes: "It could have happened to me, went the uneasy shiver, the near miss, the sentiment, the relief, the guilt, and then the grief. It could have happened to any of us, but it didn't. It happened to Jill Meagher." What I liked best was McGuire's personal observations of how what happened affected her and the people around her. It's quite representative of many people's reactions, I believe. But don't expect a deep exploration of the bigger issues raised by the case - this is, as the title suggests, simply a story of grief. 3/5


Rapunzel Untangled by Cindy C Bennett (Source: Netgalley)
The gist: A modern take on the famous fairy tale, here Rapunzel is a teen who has been locked away in a fancy suite of rooms by her mother due to her mysterious illness. She's isolated and lonely until she meets a boy named Fane on, what else, Facebook.
My thoughts: Ugh, this book was so painful. The only reason I finished it was because it was short and I thought I could get through it quickly. The thing is, I didn't at all, because just thinking about reading it annoyed me. I probably should have DNFed it. The writing was terrible, the dialogue was forced, the plot was unbelievable, the romance was groan-worthy and the characters were STUPID and derivative, drawing way too heavily on Tangled, right down to their physical apperances. Like, Fane had a goatee just like Flynn. Even though he's, what, 17? Riiiight. Also he called himself Fabulous Fane or something cringey like that which just made me want to bang my head against the wall. The characters were completely unbelievable and it was all just so boring and ridiculous. So yeah, I really didn't like it. 1/5

Thursday, 28 February 2013

Review: What's Wrong With Homosexuality? By John Corvino


Being primarily a fiction kinda girl, this isn't the type of book I usually read, but I was browsing Netgalley one day and let's just say the title grabbed my attention. I clicked through to read the description, prepared to be outraged, and was somewhat relieved to see that the book is actually written by a gay rights advocate and philosopher who also happens to be a homosexual man himself.

Of course, in answering the question of the title, “What's wrong with homosexuality?”, Corvino could just simply state: “nothing”, but that's the short answer and this book seeks to look at the bigger picture, and examine why there's nothing wrong with it. Chapter by chapter, Corvino systematically addresses all of the arguments commonly used against homosexuality in general and same-sex marriage in particular and essentially decimates them. He does so in such a logical, even-handed and engaging manner that it's not only easy to read and digest, it makes his argument all the more powerful. While being very open about his own very personal stake in the issue, he approaches each topic in a remarkably objective way, backing up his statements with evidence and combining it with his own experience only when appropriate. The subjectivity inherent in the latter aspect could have weakened his argument but, as used sparingly here, it actually strengthens it, powerfully reinforcing the importance of homosexual rights and the effects the lack of them can have on people's lives.

What I found most fascinating, in terms of the anecdotes Corvino describes, was his relationship with Glenn Stanton, an evangelical Christian who vocally opposes same-sex marriage. The two frequently travel together for debates on the issue, and despite their fundamentally different beliefs, actually consider each other friends. The story that particularly struck me was Corvino's account of when he told Stanton about his intended commitment ceremony with his partner, Mark, and Stanton wished him a hearty and sincere congratulations. It just boggles my mind that people like Stanton count gay people amongst their friends, and actually wish those friends well in their relationships, but then turn around and say how wrong those relationships are. For Corvino, it's a sign that he's getting through; that things will change, even in the minds of the most strident opposers of same-sex marriage. But I'm not so sure – to me it feels like if such a friendship still hasn't gotten through to these people, then it seems nothing will.

Perhaps it's the fence-sitters who will be persuaded, and maybe that's what counts. If anything was going to persuade them, it would probably be this book. The title works in making it appear that it could be arguing against the very thing it's in support of, and so perhaps it will challenge people who turn to it looking to have their views reaffirmed and instead find quite the opposite. But again I worry that if someone like Stanton - who knows and likes Corvino personally and has heard his arguments many times - can't be persuaded, then few can.

Still, even if it is mainly preaching to the converted, What's Wrong with Homosexuality? provides a useful and enlightening discussion on the arguments relating to same-sex marriage, and empowers the reader with plenty of facts and persuasive points in favour of it. This was what initially attracted me to reading it; especially the chapter on the biblical arguments against homosexuality, as these are what I've primarily encountered in real life and also the ones I have felt least able to intelligently argue against, not having read the Bible myself. Corvino quotes and analyses each of the references to homosexuality found in the Bible, examining ways they may have been misinterpreted (eg: Sodom's sin is inhospitality/aggression against heavenly creatures, not homosexuality) or become outdated (“If you adopt a simplistic 'God said it' approach to the [Bible], then be prepared to swallow some pretty nasty conclusions about slavery, women, and so on. If, instead, you insist on sensitivity to historical and cultural context, then the homosexuality passages must be reexamined in that light”). Because of the encounters I've had with certain people using their religion as an excuse for their homophobia (amongst other things), and my own lack of knowledge on biblical matters, I found this chapter to be incredibly fascinating and enlightening.

Indeed, the whole book is, though much of the rest contains arguments and conclusions I've heard of/come to before. Still, it's important that they're said, and said well; as he does with the biblical chapter, Corvino eviscerates the notions that homosexuality and same-sex marriage are wrong based on the risks, the “unnaturalness” or the “slippery slope” (you know, the ridiculous idea that “if man marries man, what's next?! Man marries dog?!” Because two consenting adults is totally the same thing as bestiality, uh-huh).

Importantly, What's Wrong with Homosexuality? never feels like it's sermonising or lecturing. It remains conversational throughout, and it's clear that Corvino wants to engage the reader and talk to them and with them, rather than down to them. Even for someone who isn't a massive non-fiction reader, I found this book to be extremely interesting, engaging and yes, even enjoyable. I came away feeling more informed, more fired up and frankly, more touched than I thought I would be. Because what this book highlights most of all is that, at its very root, this argument is one of love and compassion – and it cannot be won without those things.

Rating: 4/5

Fine Print
Published: March 1, 2013, by Oxford University Press
Source: I received a review copy of this book from the publisher via Netgalley.
Get It: Book Depository

Sunday, 23 September 2012

Review: Stuart: A Life Backwards By Alexander Masters


I don't even know how to begin reviewing Stuart: A life Backwards. Well, I guess I should start at the beginning - which, of course, is actually the end of Stuart's story. Don't worry, it's not as confusing as it sounds. The book opens with Stuart Shorter, an "ex-homeless, ex-junkie psychopath", telling the author of his biography, Alexander Masters, that it's "bollocks boring". Alexander, having worked on the manuscript in question for years, is understandably frustrated, and questions Stuart's expertise (or lack thereof) on the matter. Stuart's response? "Make it more like a murder mystery. What murdered the boy I was? See? Write it backwards."

Thankfully, Alexander took Stuart's advice and rewrote the book, and so begins a journey back through time to discover not just the cause of the death of Stuart's innocence, but of Stuart himself - he died of probable suicide before the second version of the manuscript was complete. I know, it sounds completely dreary and depressing - and it completely is at times - but more often than that it's totally entertaining and even inspiring. Which sounds a bit morbid in the same paragraph as suicide, but I guess it shows just how strange - and brilliant - this book is. A bit like Stuart himself.

In theory, Stuart shouldn't work as a hero. He's vulgar, violent and a little bit (OK, a lot) mad, spending much of the story either homeless or in prison. But he's also charming, wise and strangely moral in his own way. It's this paradoxical nature that makes him so fascinating and, ultimately, likable. In Alexander's capable hands, Stuart's character jumps from the page, his voice captured perfectly so that you feel as though he's right in front of you.

One of the reasons Alexander seems to have been able to capture Stuart so well is because he appears to have developed a strong and genuine friendship with his subject. Some might question how appropriate this is for a biographer, but it works. In fact, one of the loveliest  aspects of the book is the unlikely friendship between the middle class, sheltered writer and the irrepressible vagabond. That's not to say it's an easy relationship. Alexander is frequently uncomfortable in Stuart's company, and even more frequently irritated. But through his honest and amusing account of his reactions and thoughts, Alexander makes Stuart accessible and real. These humourous encounters also act as much-needed breaks from the flashbacks to Stuart's earlier life, which gets darker and more disturbing the further back we go.

You can probably guess what happens, although perhaps not all of it. Let's just say it's horrific and graphic and made me feel physically ill. While it makes Stuart all the more inspiring, it also reinforces the great tragedy of his tale. If he was that brilliant, in his own way, after all he'd been through - imagine the kind of man he would have been if the "boy he was" hadn't been murdered.

Excuse me while I go pick up the broken pieces of my shattered heart from the floor.

Rating: 5/5

Favourite Quotes

"If Stuart is a freak... it is because he has had the superhuman strength not to be defeated by this isolation. It is because he has had the almost unbelievable social adroitness to be able to fit in smoothly with an educated, soft-skinned person like myself and not make me frightened half to death. If Stuart's a freak, I salute freaks." 

“For a moment, I believe, there was a stillness. A shocking realization by all things - beetles, dormice, the spiders spinning their webs in the moonlight, even the hot metal of the tracks and the wind in the trees - that Death had just shrieked past like a stinking black eagle and made off with a remarkable man." 

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