Showing posts with label young adult. Show all posts
Showing posts with label young adult. Show all posts

Saturday, 25 October 2014

Review: The Knife Of Never Letting Go By Patrick Ness




The Knife of Never Letting Go is the first in the Chaos Walking series. It introduces us to Todd Hewitt, who is a month away from becoming a "man" at 13 years old. He lives in a town on the New World that is populated only by men - men who constantly hear each other's thoughts, known as "Noise". The women all died long ago of some germ released by the Spackle, New World's native inhabitants - who were also wiped out in a war with the humans. But one day Todd, with his faithful dog Manchee, discovers something in the woods that literally changes everything.

I was initially drawn to this book because of the premise - not to mention enthusiastic recommendations from friends - and I was not disappointed. From the very first pages, you're drawn into Todd's world and captivated by his journey. The writing style is unique and vivid, with Todd's voice written phonetically to beautifully convey his character - uneducated but intelligent, lonely but incredibly caring, inexperienced but open-minded, surrounded by bad things but inherently good. The prose might not appeal to everyone, riddled as it is with purposely misspelled/mispronounced words, but I loved it. It immediately creates a strong picture of who Todd is, and it's hard not to love him. He's flawed, he makes mistakes, but he is so very human.

The Noise is also communicated in a creative way - through different fonts and font sizes, scattered over the pages. It really does create a stream-of-consciousness feeling, and it's particularly interesting when it's used as a contrast to the actual dialogue spoken between characters. It's a fascinating exploration of how our inner lives contrast with our external lives, and how we probably really don't want to know what other people are thinking.

Interestingly, Ness also gives voice and Noise to all the animals in the book. Which might sound ridiculous, but it is SO well done. Manchee, Todd's dog, is such a fully-fledged character, and his voice is exactly what you would expect of a dog if he could talk. He worries about food and pooing and squirrels, but most of all, his human. I really, really, really love Manchee.

I also love Viola, the first girl Todd ever meets. She is one hell of a character. Strong, determined, caring, intelligent, brave, fierce - this character just made me so, so happy. I adored seeing the way she and Todd interacted and came to care about each other. They each have to make tough, terrible choices, but they get through everything together. This is Todd's story, but Viola is just as important as a character. She has agency and strength and everything you want in a heroine.

The other characters are also brilliant. Ben and Cillian, Todd's adoptive parents, are lovely and heartwarming and heartbreaking all at once. The bad guys - Aaron, Davey Prentiss and the Mayor -are creepy and complicated and so deliciously awful. The more minor characters are all just as fantastically crafted, each standing out from the pages, no matter how little time they actually appear on them.

The Knife of Never Letting Go is action-packed and completely unputdownable. Although I say that, and yet there was one part where I had to put it down (before picking it up and devouring it again a couple of days later). Something happened that I wasn't expecting and it totally destroyed me. I hated that it happened, and I needed a breather, but in the end I appreciated that this is not a book - or a series - where bad things don't happen. Not by a long shot. It might be in a fantastical setting in a futuristic time period, but at its core this is a story about real life, about what makes us human and about how the choices we make shape us. Choices that are as difficult, emotional, messy and chaotic as we are.

When it comes down to it, we really are all chaos walking.

Rating: 4/5

Fave Quote
"Here's what I think," I say and my voice is stronger and thoughts are coming, thoughts that trickle into my Noise like whispers of truth.  
"I think maybe everybody falls," I say. "I think maybe we all do. And I don't think that's the asking." 
I pull on her arms gently to make sure she's listening.
"I think the asking is whether we get back up again." 

Disney 
Fine Print
Published: 2008, Walker Books
Get It: Book Depository

Sunday, 10 August 2014

Review: We Were Liars by E. Lockhart


I don't know what I can say in this review that hasn't already been said by many other reviewers. But I can't not say anything about it because this book affected me so much. So I'm adding my voice to the chorus. It's true what they say. We Were Liars is an incredible book. And the less you know about it going into it, the better. Suffice it to say it's about four teenagers - three cousins and a friend - called the Liars, who spend each summer on a private island together. But nobody wants to talk about what happened two summers ago, when there was an accident that caused Cady to lose important memories. As she tries to piece together the past, she has to come to terms with the messed up present - with the help of her Liars, of course.

So yeah. This book is a mystery. But it's also about friendship and family, anger and love, grief and desire... you know, all the big little stuff - or little big stuff. It's simply beautiful. I know the writing style is not for everyone (many other reviewers have mentioned how it bugged them), but I ADORED it. It's rich and elegant, the kind that you want to read out loud, that evokes the texture and taste and smell of a place and a story and the people in it.

And oh, the people in it. This book is not about poor little rich kids that you can't feel sorry for. Cady and her Liars are all interesting and real and loveable. Along with Cady, I especially loved Gat, the outsider on the island who belongs and yet doesn't. He got under my skin, as did all the Liars. The one part that was mildly annoying was that it's never clear why they were called the Liars in the first place. But that was no big deal. A surface issue. What really matters is the amazing story and the brilliant characters and the vivid emotional core.

I hope it's not spoiling too much to say this book made me ugly cry. Hard. FOR HOURS. I am not exaggerating. I can't remember the last time a book made me cry so much. It didn't help that I wasn't expecting it to be so emotional, and I was up late reading it long after everyone else had gone to bed (because yes, it's impossible to put down), and so suddenly I found myself alone and CRYING AND CRYING AND CRYING AND CRYING AND CRYING. It hurt so much. I went to bed and cried some more. My husband woke up and was all "WHAT'S WRONG?!" and I had to be like "This bo-oo-ooo-oooooook." And he hugged me and I cried some more until I finally fell asleep. And then in the morning I woke up and remembered and CRIED SOME MORE.

To be fair, I read this book along with Bree at 1 Girl 2 Many Books and I don't believe she cried at all. So it could have just been the right book at the right time (or maybe the wrong book at the wrong time) for me. It might not make you cry so much. But I just want you to know that it tore my heart out and stomped on it a bit and offered it back to me slightly mangled.

But it was worth it. This is a beautiful book. One of my favourites of the year. You should read it. With some tissues and somebody to cuddle nearby.

Rating: 4.5/5

Fine Print
Published: 2014, Allen & Unwin
Source: Netgalley
Get It: Abebooks

Thursday, 10 July 2014

Review: Amy & Matthew - A Love Story by Cammie McGovern


I was immediately drawn to the bright, textured cover of this book in the bookstore, and when I read that it was about a boy with OCD and a girl with cerebral palsy falling in love I knew I had to buy it. These are not the kind of characters you often see in YA, and I was curious about how they would be handled. Having anxiety myself, I was especially interested in seeing how Matthew's condition was explored.

I have to say initially it made me really anxious. Matthew's worries are not my worries, and yet they did spike my anxiety a bit. It's probably impossible not to feel a little anxious if you're putting yourself in the shoes of such an anxious character. Once I got more lost in the story I stopped worrying so much and started appreciating the way Matthew's OCD had been written. It was really well done, very realistic without being completely over the top. There were lots of little things that people with no experience with such a condition probably wouldn't even notice, but for me it was incredibly validating.

As far as Amy is concerned, I don't know a great deal about cerebral palsy, so I couldn't judge how accurate the depiction of her situation was, but it certainly seemed authentic. More than anything, you really get the sense of how frustrated Amy is, and how incredibly isolated and lonely she can be at times. Through both her and Matthew's points of view, the novel explores the notion of control - or lack thereof - over your own body and actions and how that impacts your emotions. Both of these characters are trapped in their bodies in very different ways, and as they connect with each other their own worlds begin to expand and it's quite wonderful to follow.

But this book is about so much more than disabilities. Indeed, as Amy and Matthew strive to be seen as something other than disabled or disordered, they become some of the most complex and fully realised characters I've read in YA in a long time. They do amazing things but importantly they also screw up really really badly. They love each other, but they also hurt each other. It can be frustrating to read but it's also an important part of their growth, and part of what's make them great as characters. They're not martyrs or symbols, they're people. People make mistakes. And sometimes you love them all the more for it.

The secondary characters are also incredibly well developed in this book, and I especially loved the changing relationships Amy has with her peer helpers (of which Matthew is one), and Matthew has with his new co-workers at the local cinema. Their families also play important parts, and while it's hard not to hate them at times, you also sympathise with them.

The dual third person narration is really effective in telling both Amy and Matthew's individual and interconnected stories; it's great to be able to see how they see themselves and then how they're seen by others. Ultimately the book is about finding yourself and growing into the person you want to be,  as well as the important relationships you forge along the way. Beginning in the last year of high school and going through to the first year post-high school for Amy and Matthew, it is a true coming of age story - unique, emotional, messy and beautiful.

Rating: 4/5

Related
I was inpsired by Mands to have a go at matching nails with this fun cover, so here's my crappy picture of that!


Fine Print
Published: MacMillan Children's Books, March 2014
Get It: Book Depository

Sunday, 23 February 2014

Review: Such Sweet Sorrow by Jenny Trout



I almost didn't read this because the cover put me off (it's pretty, but those kind of covers tend to come with books I don't like), but the concept intrigued me, and I ended up really enjoying it, so I'm glad I gave it a go! Basically, this is what would have happened if Romeo didn't die from poison at the end of Shakespeare's story, and went on a quest through the underworld with Hamlet to find Juliet and bring her back to life. If you don't think that sounds awesome, this obviously isn't the book for you. If you do - well, then, you might just like it!

I loved the characters in this book. I'm not overly familiar with Shakespeare's Hamlet (I had to study it for uni but only read the parts I needed to get by, ahem), but I adored him in this. He's conflicted and angsty but also brave and good and warm-hearted. Romeo I liked a lot less for most of the book, though he grew on me in the end. I loved the growing friendship between Romeo and Hamlet. It was like an old school, really dangerous and kinda dark buddy roadtrip.

I think Juliet was probably my favourite character. I admired her fierceness and strength - being dead obviously brought out the best in her. I was totally shipping Hamlet and Juliet for a big chunk of the book (whoops), but there were some touching scenes between Romeo and Juliet in the latter half that brought me back onboard the canonical ship. Mostly.

The journey through the underworld, and the various tests and mythological creatures the trio has to face, makes for an action-packed, entertaining plot. I found it hard to put the book down at times. I loved the way Trout intertwined so many different strands of mythology and literature to create her own world. If you're a purist then this probably won't be for you, but personally I found it really interesting.

The writing is strong throughout the book, and there are some really beautiful moments. The pacing is good, and I liked the ending, although it definitely left me wanting more. I hope there's a sequel! 

Rating: 4/5

Fine Print
Published: February 2014, Entangled
Source: Netgalley

Sunday, 16 February 2014

Review: The Accident by Kate Hendrick


I don't think I've read an Australian YA that hasn't been great. The Accident by Kate Hendrick is another amazing addition to the genre. It tells the interweaving story of three teenagers, jumping back and forth in time around an accident, and slowly unraveling how they're all connected and exploring how your life can collide with others in unexpected and irreversible ways.

Eliat's story is "before", she is a teen mum AND foster child who does well at school but copes with life by drinking every night and partying on the weekends. Will's story is "after", as he struggles to connect with his writer mother and two sisters as they go about their own separate lives, despite living in the same house, and Sarah's story is "later", as her family struggles to move on from a car accident that killed her brother and left her severely injured. At the heart of each subplot is the importance of family, and how the relationships we build with the people in our lives form a home more than any blood ties do. It's also largely about grief, isolation, loneliness and identity, the struggle so many teens face of trying to find who you are and where you fit in. It's an emotional, powerful read.

The switching points of view and timelines is a little hard to get used to at first, and can be a bit confusing, but once you get into the rhythm of it it's quite engaging. You don't want to put the book down as the three timelines converge and you begin to see how all the pieces fit together. Hendrick did an amazing job of balancing the three plots and time periods, making each character sound distinct and authentic, and creating an individual emotional journey for each that somehow complemented the others beautifully.

I loved the way Hendrick used the weather - the drought and a threatening storm - to enhance the atmosphere of the story and reflect the turmoil in each character's lives. The writing overall is truly beautiful, without being too verbose. There is some powerful imagery and vivid symbolic moments that allow the reader to connect with these characters on an emotional and intimate level. It's just such an elegant, thoughtful and well-written book.

Rating: 4/5

Fine Print
Published: 2013, Text Publishing
Get It: Bookworld



Sunday, 9 February 2014

Mini Review: The Grisha, Books One And Two, By Leigh Bardugo

Considering I am SO over paranormal books, love triangles and Speshul Snowflake Chosen One characters, I enjoyed these books A LOT. I didn't think I would, but Jaz at Fiction in Fiction in Fiction insisted they were awesome so I gave them a shot. And she was right!



The fantasy world of The Grisha is based on Russian culture, which I kind of loved. It was different to the usual Western European influences, and the world building and plot premise was quite unique and engaging. What I liked less were the Chosen One and love triangle tropes I already mentioned, but the book was good enough otherwise that these things didn't bother me so much.

I quite liked Alina as a main character but I have to say this is one of those books where the villains/anti-heroes are much more compelling than the heroes. The Darkling was the highlight of The Gathering Dark, and I loved how you couldn't tell whether he was really good or really bad. The chemistry between him and Alina was hot. The same cannot be said for poor Mal. I feel like he is probably endgame but he's really a bit of a drip. He's not only eclipsed by The Darkling but also Sturmhond in the second book, Siege and Storm. It was kind of annoying that another apparent love interest was being introduced, but he was kinda worth it. Sturmhond quickly became my favourite character in the series - I love his charm, wit and yes, his chemistry with Alina. Basically everyone has better chemistry with her than Mal. I feel like Mal is more of a brother figure but she doesn't realise it yet.

The second book was probably my favourite out of the two. I really enjoyed the action scenes and the surprising twists.

I really enjoyed these two books and am excited about the next one in the series. They're well written and entertaining enough to overcome the standard formula of YA trilogies that can get so tedious.

Rating: 4/5

Head Cast
Not exactly how the characters are described but once they pop into my head they won't go away:

Taissa Farmiga as Alina

Evan Peters as Mal 
Jon Snow Kit Harington as The Darkling

Hook Colin O'Donoghue as Sturmhond


Wednesday, 13 November 2013

Mini Reviews: The Boss, A Story of Grief and Rapunzel Untangled



The Boss by Abigail Barnette
The gist: Years ago, Sophie had an amazing one-night stand that changed her life. She never expected to see the guy again - so she gets a shock when he turns out to be her new boss. But she's not going to let that little detail get in the way of her fun...
My thoughts: I don't really read this genre, but when I heard this book touted as the anti-50 Shades I wanted to check it out. I enjoyed the author's hilarious and intelligent recaps of that series, so I hoped I'd like her take on a similar story. I haven't read 50 Shades of Grey myself, but from everything I've heard, The Boss seems much, much better. Sophie is strong-willed and independent and a willing, consenting participant in her BDSM relationship. In fact, she is the one who initiates it. And it's not because of some traumatic sexual experience from her past (or his, for that matter) - she just happens to like it. I appreciated that aspect, even if the relationship itself wasn't exactly my cup of tea. I didn't find Neil particularly attractive - he's much, much older than Sophie for one, which was kinda off-putting for me. But hey, each to their own. Points for having an actual plot, too, although I didn't really buy the head of  a major company taking the time to edit a magazine - that's what you hire editors for. Also I didn't quite get why certain things happened towards the end, which was a bit frustrating. But overall a decent read. 3/5


A Story of Grief by Michaela McGuire (Source: Netgalley)
The gist: An exploration of Jill Meagher's disappearance and death and the effect it had on the Australian public, and the city of Melbourne in particular.
My thoughts: This is a very brief but effective account of the murder of Jill Meagher and the way the public grieved over this woman we didn't know. Though as McGuire highlights, while she may have been a stranger, at the same time Jill was someone who many of us recognised - we saw ourselves in her. As McGuire writes: "It could have happened to me, went the uneasy shiver, the near miss, the sentiment, the relief, the guilt, and then the grief. It could have happened to any of us, but it didn't. It happened to Jill Meagher." What I liked best was McGuire's personal observations of how what happened affected her and the people around her. It's quite representative of many people's reactions, I believe. But don't expect a deep exploration of the bigger issues raised by the case - this is, as the title suggests, simply a story of grief. 3/5


Rapunzel Untangled by Cindy C Bennett (Source: Netgalley)
The gist: A modern take on the famous fairy tale, here Rapunzel is a teen who has been locked away in a fancy suite of rooms by her mother due to her mysterious illness. She's isolated and lonely until she meets a boy named Fane on, what else, Facebook.
My thoughts: Ugh, this book was so painful. The only reason I finished it was because it was short and I thought I could get through it quickly. The thing is, I didn't at all, because just thinking about reading it annoyed me. I probably should have DNFed it. The writing was terrible, the dialogue was forced, the plot was unbelievable, the romance was groan-worthy and the characters were STUPID and derivative, drawing way too heavily on Tangled, right down to their physical apperances. Like, Fane had a goatee just like Flynn. Even though he's, what, 17? Riiiight. Also he called himself Fabulous Fane or something cringey like that which just made me want to bang my head against the wall. The characters were completely unbelievable and it was all just so boring and ridiculous. So yeah, I really didn't like it. 1/5

Sunday, 10 November 2013

10 Reasons You Should Read All The Truth That's In Me By Julie Berry



  1. The plot is unlike any other YA novel I've ever read. Set in what appears to be colonial America (it's never explicitly stated), it follows the story of Judith, who went missing from her small town, along with her best friend, for two years. Only Judith returned, mutilated and now an outcast in her Puritan society. As the story unfolds, you slowly learn what happened to Judith and why she is the key to saving the very people that deride and ignore her.
  2. The second person perspective works. It's not something that's easily achieved, and I know it can be off-putting for a lot of people, but the second person narrative was really effective here. The "you" being addressed is the boy Judith is in love with, and this conversational style gives a more intimate look into Judith's thoughts and emotions. You get a real sense of her isolation and loneliness, her yearning to communicate and be noticed, and the fierceness that bubbles below her silent surface.
  3. The main character is awesome. Judith has been through hell and is still there in a way, suffering daily horrible treatment at the hands of the townspeople and even her own mother. But she is strong and determined and finds herself strangely liberated by her outsider status. She moves around without being noticed and transgresses rigid social boundaries in a way that is admirable and exciting.
  4. The romance is lovely. Heart-wrenching, bittersweet, but really, really lovely.
  5. You won't be able to put it down. Seriously. I tried to several times but had to pick it up again straight away. It resulted in me staying up until 4am reading this book. That's never happened to me before. It's that good.
  6. It's action-packed. It's scary, thrilling, edge-of-your-seat kind of action. Judith, partially due to being an outcast, is a proactive heroine at the centre of it all.
  7. It's emotionally harrowing. I mean that in the best way possible. It will get under your skin and give you chills. It will make you cry. It will make you smile. It will make you cheer. You will become incredibly invested in Judith's story and feel connected to her and ALL THE FEELINGS.
  8. The secondary characters are wonderful. From the friendly to the threatening, the townspeople are wonderfully well-written and interesting in their own right.
  9. It will surprise you. There are twists in this novel you won't see coming. Seriously, I thought I had it all figured out. I was wrong.
  10. It's incredibly uplifting. While the subject matter may seem dreary and there are definitely heartbreaking moments, All The Truth That's In Me is ultimately about one girl's power and resilience in the face of seemingly insurmountable odds. Goosebump-worthy stuff.
Rating: 5/5

Fine Print
Published: October 2013, HarperCollins Australia.
Source: I received a copy from the publishers in exchange for an honest review.
Get It: Bookworld

Thursday, 7 November 2013

Review: Crash Into You by Katie McGarry


This series is like the literary equivalent of a Snickers bar: addictive, satisfying, not very good for you but oh-so-delicious. It's not the kind of thing you want all the time, but it's a fun treat on occasions and - dare I say it - a guilty pleasure.

I've seen a lot of comparisons between this series and the Perfect Chemistry series by Simone Elkeles. I get it. They're both focusing on a new couple in each book who are somehow connected to the previous book, with lots of obstacles and tension, and chapters told from both the girl's and guy's perspective. But what I love about this series that I found lacking in the Perfect Chemistry trilogy is that each book, while along a similar vein, has unique characters and plot lines. It doesn't follow the same old formula for every single book, which is very refreshing and makes you want to keep reading more.

Case in point: while Crash Into You follows the whole bad guy from the wrong side of the tracks falls for the good rich girl trope, it takes some twists that you totally don't expect. Although I still love the second book in the series, Dare You To, the most, Crash Into You definitely packed the biggest emotional punch yet. At one point I had to spoil myself because it got so intense. It's interesting and unexpected and yes, melodramatic, but not so much that it makes you roll your eyes. Instead, you just want to race through the pages and find out what happens next.

It helped that I really liked the main couple. I adored Isaiah. I felt so bad for him in Dare You To when Beth broke his heart, and he's still hurting at the beginning of this book, but it's nice to see him find someone new and discover his true feelings. I really liked Rachel, and the fact that she wasn't the typical "good girl", as well as that she was dealing with an anxiety disorder. It's not something you see in YA heroines very much unless it's an "issues" book, and it was dealt with pretty well here.

There were a few plot holes that irritated me a little, but overall I really liked Crash Into You. It's the perfect book for when you just want to switch off and be entertained.

Rating: 4/5

Head Cast

Candice Accola as Rachel

Rafi Gavron as Isaiah

Fine Print
Published: December 2013, Harlequin Teen
Source: Netgalley
Get It: Booktopia

Wednesday, 23 October 2013

Review: Wildlife by Fiona Wood

Note: Wildlife is a companion novel to Six Impossible Things. While there are no explicit spoilers in this review, you may be able to guess what happens between Six Impossible Things and Wildlife. Just in case you’re really allergic to even the hint of a spoiler.


My favourite kinds of stories are the ones you can relate to. The stories that leap from the page, wrap their arms around you and say, “It’s OK, you’re not alone.” Wildlife is one of those books. I connected with so many aspects of this story – the grieving process, the struggle to fit in, the best friend who is really a bitch, the nervousness and excitement that goes along with first relationships, the loneliness that is being a teenager – there is so much in there. The only other author that has represented the teen experience so authentically, with such raw emotion, is Melina Marchetta. Yep, I’m putting Fiona Wood up there with Ms Double M herself. That’s how much I loved this book.

I almost couldn’t read it. I got seven pages in and discovered something that made me sick. I seriously had to hide the book - I was so devastated, I couldn’t even look at it. After a day or so I finally forced myself to pick it up again and I’m so glad I did. The writing was exquisite and as much as I hated what had happened, it was beautifully dealt with.

Lou from Six Impossible Things is at the centre of this sad story, and her isolation and despair are palpable as she comes to grips with her grief in the middle of nowhere, at a school camp where she knows no one. The short, unfinished sentences that open her chapters in the beginning of Wildlife perfectly encapsulate the breathlessness of depression – the pain so deep, so overwhelming, that it numbs you and leaves you unable to speak or even function properly. It’s utterly heartbreaking, but importantly it’s also incredibly cathartic, as you watch Lou slowly heal and find her way back to contentment, if not complete happiness.

Lou’s intense grief and loneliness are perfectly balanced by the alternate chapters that focus on Sibylla’s story. While she is dealing with her own problems, they’re not as dark as Lou’s, and in comparison her story is light and fun. She has a new, hot boyfriend who is pressuring her to move fast, her best friend is acting strange, and her oldest friend is strangest of all. It might sound like this kind of plot would contrast too starkly with Lou’s chapters, but actually they’re wonderfully integrated. A similar sense of isolation underpins both characters’ experiences, and ultimately they both represent significant life events, for better or worse.

As with Six Impossible Things, the secondary characters are a highlight in Wildlife. There were a few that I loved, and a couple that I hated, which was just as it should be. I adored both main characters. Sometimes I just wanted to shake some sense into Sibylla, but I think that’s because I identified with her so much and, you know, I’ve got hindsight and all. Lou I just wanted to hug and squish and make all the problems go away. My heart still hurts for her.

Wildlife is pretty much the perfect teen book. It is so incredibly realistic, while also being touching and inspiring. It's a fun, easy read, but it also explores very important and deep issues. It will make you feel happy and sad and worried and excited and so many things all at once. It will tear you apart into tiny pieces, before patching you up again, just as whole, but not quite the same.

Rating: 5/5

Fine Print
Published: June 2013, Pan Macmillan
Get It: Bookworld

Tuesday, 22 October 2013

Review: Six Impossible Things by Fiona Wood



This book is adorable. It’s the coming-of-age story of Dan Cereill, who is feeling a bit overwhelmed due to the fact that his family not only has no money, they are also no longer a family – his dad has come out as gay and left Dan and his mum to flounder with a failing cake business in the drafty house they were lucky enough to inherit from a great aunt. Throw in the fact he has to change schools and has developed an instant crush for his next door neighbour, Estelle, and it’s not hard to see why Dan is a bit of a mess.

Poor Dan. I really felt for the guy. His life has done a 180 and the way he tries to deal with everything is by turns heartbreaking and heartwarming. He does some really awful things sometimes, and you can’t help but cringe from the sidelines, but he’s a young, silly boy who is just trying to make sense of the world. And, not gonna lie, I’d probably be tempted to do the things he does if I had the opportunity, too. I’m nosy like that.

While I had sympathy for Dan, I really adored the secondary characters, from the boarder out the back to Dan’s best mate Fred to his new friend Lou and especially to Howard the dog. They are all realistic and complex and completely likable. You’ll want to pay attention to these characters. They enhance the story so much and are an important part of it.

Wood deals with even the trickiest subject matter with heart and compassion and a good dose of humour. Six Impossible Things is funny, witty, lighthearted and just a lot of fun.

Rating: 4/5

Related
Here is a playlist of all the music mentioned in the book. 

Fine Print
Published: 2010, Pan Macmillan
Get It: Book Depository

Wednesday, 9 October 2013

Mini Review: A Straight Line To My Heart by Bill Condon



I've had this book sitting on my shelf for years. I picked it up because I adored the cover and liked the concept of a budding journalist, Tiffany, dealing with leaving school, starting an internship, and of course finding love and dealing with family problems at the same time.

Unfortunately, A Straight Line to My Heart was very average for me. There were some beautiful lines, but overall I just didn’t connect with the story or characters. Which is strange, because I thought I’d really be able to relate, having grown up with journalistic ambitions of my own.

There was nothing particularly bad about this book. It's a quick read. Covering only a week in Tiffany’s life, there isn’t a big narrative arc; it’s a taste of a girl’s life, rather than a full story. That’s not to say there’s no story - a lot does happen, and there is a decent amount of closure. But it felt like it was just skimming the surface and it all left me strangely unaffected. There were some sweet scenes and some really sad ones but my heart didn’t burst or break at any point.

Maybe it was just that I wasn't in the right mood, because several of my friends have read and loved this book. All it got out of me was a resounding “meh”.

Rating: 3/5

Fine Print
Published: 2012, Allen & Unwin
Get It: Book Depository

Wednesday, 25 September 2013

Review: Every Day By David Levithan


Do you ever read a book and think, “Am I reading the same thing as everyone else”? This is exactly how I felt with Every Day. All the reviews I’d seen were full of praise. I was expecting it to be amazing. It was not.



It's a shame because I liked the concept of “A” waking up in a different body each day, content to do so until falling in love with the girlfriend of one of the bodies. Intriguing, right? Unfortunately, the execution didn’t work for me. The writing itself was gorgeous and there was more than one quotable line, but the plot and characters drove me nuts.

A was The Worst, spending the whole time talking about being good but actually doing terrible things. There’s no build up of this “good” aspect before it gets compromised, making it very hard to like the protagonist. I didn’t buy the connection between A and Rhiannon (hello, insta-love!), and the way A obsesses over her is really quite icky. I know A changes bodies every day, but there was not much personality there beyond that obsession. Oh, and judging people. A judges everyone.

Like Rhiannon for not being able to always see past the physical. One of the themes of the book is that you love the person, not the body. The notion of biology being separate from identity is an interesting one, and could have been fascinating to explore, but Every Day only goes as deep as A getting angry if Rhiannon felt a bit weird seeing a girl’s body. Which is completely understandable because, yeah, sexuality is fluid, but if you identify as straight you can’t be expected to suddenly find the same sex attractive (and vice versa). And I know they say love is blind, but you still have to be attracted to the person you’re with. A judges Rhiannon pretty harshly for liking some bodies better, which I thought was unfair.

A is also super judgemental of Nathan, one of the bodies used, when he feels, well, used. A had snuck out of Nathan’s strict parent’s house to go to a party to see Rhiannon, lying to Rhiannon, drinking, staying too long and driving too late, ending up with Nathan waking up on the side of the road having no idea where he is or what has happened. I know A can’t control going into different bodies, but seriously? That’s abduction. The idea that so many bodies were being used against their will was quite discomforting. Particularly when A wanted to get more physical with Rhiannon. Not cool.

But A’s worst judgement is reserved for one of the last bodies described in the book. A wakes up inside an overweight teen boy, and turns on so much judgment that Simon Cowell looks like an open-minded puppy dog in comparison. A treats the teen as lazy, disgusting, stupid and… wait for it… shallow. Yep. Coz apparently being obese means you can’t have “emotional depth”. It’s really disappointing, because it could have been an opportunity to explore the very deep and complex emotions that often go along with weight problems. Instead, it reinforces prejudices against overweight people rather than using it as a chance to undermine them.

Rhiannon is not a lot better than A. She's pretty two-dimensional. Some of the bodies A spent a day in felt more developed than her. She accepted the A thing way too quickly and fell in love too easily. She was incredibly passive. A judges (there’s that word again) Rhiannon’s boyfriend for being horrible to her, but A doesn’t treat her a whole lot better, and she goes along with it. She doesn’t have any agency. Even at the end, A is in control of what will happen to Rhiannon “next”. So not romantic.

It was a shame that the bland, unromantic love story was the central plot, when the concept had so much potential. There is a bit of a subplot about people being after A, but it develops slowly and sporadically before finally fizzling out.

Despite the beautiful writing, Every Day was a very average read.

Rating: 2.5 stars

Fine Print
Published: 2012, Knopf
Get It: Book Depository

Mini Review: Crossing the Line by Katie McGarry


After loving Dare You To I wanted to devour anything I could get my hands on by Katie McGarry. Which happened to be this novella, Crossing the Line. Set in between Pushing the Limits and Dare You To, it tells the story of Echo's best friend, Lila - or a snippet of her story, anyway.

Lila is by herself at home for the first time ever, and freaking out about not only being alone for the night, but being alone when she goes away to college, too. Enter Lincoln, the guy she has been writing to for years but has only ever met once. He was meant to go to college with her but has screwed things up somehow. He travels across the country in an attempt to make it up to her. Cue fights - and making up, of course.

I liked both Lincoln and Lila. They're as fleshed out as they can be in the limited space. This is a short story that gives a snapshot of a lovely romance but not much more. The concept of a penpal love story is great, but while there are some cute moments and a decent amount of tension, there's no space for a whole lot to actually happen. You get an outline of the past through letter excerpts, which is a nice framing device, and there's a pretty clear picture of where these two are going in the future. But that's all there's time for, really. Still, it's an entertaining way to spend half an hour, and will tide you over slightly if you're hanging for the next book in this series (like me!).

Rating: 3/5

Fine Print
Published: 2013, Harlequin Teen
Get It: Harlequin

Sunday, 22 September 2013

Review: Dare You To by Katie McGarry


To be honest, I don’t know what possessed me to read Dare You To. I wasn’t a massive fan of Pushing the Limits and the idea of a book focused on Beth, a character I couldn’t stand in the first book, wasn’t exactly appealing. Plus the suggestion that Beth would somehow ditch the sweet, caring Isaiah sounded awful. Combine that with the fact that people who did love Pushing the Limits didn’t love Dare You To, and I thought I would surely hate it. I wasn’t going to bother.

So don’t ask me how I ended up staying up until 2am reading this. I honestly can’t say how I started. Only that once I had, I couldn’t stop.

Dare You To is told from a dual perspective, like Pushing the Limits, only this time it’s about troubled Beth and baseball jock Ryan. The two meet at a fast food restaurant and don’t exactly hit it off. When Beth has to live with her uncle, a baseball superstar, Ryan is keen to get back into her good books – especially with a dare riding on a date with her.

You can totally see where this is going, right? But it doesn’t matter. Because getting there is so much fun. Having insight into Beth’s thoughts and motivations makes her a much more sympathetic and, dare I say, likable character. I understood why she’s awful to Echo. I understood why she treats Isaiah the way she does. And boy, did I understand why she likes Ryan.

Ryan is adorable. OK, he’s a bit of a douche to start with and does get a little possessive in a couple of instances, but it’s nowhere near as bad as Noah in Pushing the Limits, and Beth doesn’t exactly put up with it. There’s great chemistry between these two, and their budding relationship – and the complications that go along with it - feels quite realistic. There are some really sweet, not to mention totally hot, scenes, and I loved the fact that the usual tropes were reversed and Ryan was a virgin while Beth wasn’t. I am so over the pure, good girls being seduced by experienced, bad guys. It’s so not true to life and reinforces restrictive roles and screwed up expectations. It was really great to see something different here.

While I loved the romance, I really liked the other aspects of the plot, too, and appreciated that there was more going on in each character’s life. Perhaps because my husband is obsessed with baseball, I actually found myself enjoying that part of Ryan’s story, and I felt for his family situation, too. But of course, Beth’s story is much more dramatic and emotional. My heart broke for her, yet the terrible moments made the good ones that much sweeter.

In addition to liking the two leads, I adored the secondary characters in Dare You To. Ryan’s friends are great, and there are some very funny moments between them. I especially loved Lacy, Beth’s childhood friend and Ryan’s current friend. The way she accepts Beth back into her life and has her back in the end is so awesome. On Beth’s side, we see Noah and Echo make a few appearances, which is nice, even if I’m not their biggest fans, and Isaiah, oh Isaiah... I felt for him, but at the same time I was happy with the way things turned out. I’m looking forward to Isaiah hopefully (who am I kidding - definitely) getting his own happily ever after in Crash Into You.

So, despite thinking I would hate it, I actually really loved Dare You To. It was a page-turning, swoony, emotional ride. I’m so glad I went on it.

Rating: 4.5/5

Head Cast


Austin Butler as Ryan

Ksenia Solo as Beth

Bonus: Couple shot courtesy of Life Unexpected.
Related
Katie McGarry includes a playlist in the back of Dare You To, which I compiled here. It is a bit too country for my taste, but fits the book pretty well overall.

Fine Print
Published: 2013, Harlequin
Source: Netgalley
Get It: Book Depository

Saturday, 14 September 2013

Review: Pushing The Limits by Katie McGarry

 
I am in the minority on this book. Coz I didn't love it. I did like it. Kind of. It was a quick read and entertaining enough, but so many things annoyed me about it. I was actually quite perplexed as to what people see it in that I didn’t, especially at the beginning. There’s been a lot of comparisons to Perfect Chemistry and I can definitely see the connection: the dual narrators, the good girl and the bad boy who are paired together for school and find themselves falling hard for each other, the melodrama and the cheesiness. I was worried it would be too similar, but in the end there were enough differences to separate the two stories, and it was actually something else that annoyed me entirely. Noah.

Noah is a foster kid, separated from his little brothers since their parents died a few years ago. He's been in bad situations and has a serious chip on his shoulder. The only thing he cares about is getting his family back together. Until he meets Echo. Cue sparks and professions of undying love. While it's not quite insta-love, it's pretty damn close. Noah's internal monologue, especially when he's thinking about Echo, didn't feel authentic to me. It was like a fantasy of a guy, as opposed to a real teen boy.  I also didn't really buy the bad boy act - for most of Noah's life, he had a stable family and a promising future. I know what he's been through would screw someone up, but I don't think it would change your personality that dramatically. I could be wrong, but it bugged me anyway. But what really bugged me was his possessiveness. Note to YA/NA authors: this is not romantic. At all.

As for Echo, I didn't like or dislike her. Except for her name. That's just really stupid. Other than that, "meh" about sums up my feelings about her. Like Noah, she's been through a lot, and she has the emotional and physical scars to prove it. I was interested in discovering what had happened to her to make her this way, but I have to say I was a little dissatisfied with the resolution of that plot point. The way mental illness was dealt with made me a little uncomfortable at times.

Something that made me really uncomfortable was the fact that the only explicitly black character in the book dropped her Gs. This was something I noticed with the portrayal of non-white characters in the Perfect Chemistry series too. A lot of people probably drop their Gs in real life, but why is it only non-white characters that seem to do it on the page? It annoyed me so much in Pushing the Limits I almost stopped reading at the 10 per cent mark.

I'm glad I kept reading, because it did get a bit better. It was predictable, but it still kept me turning the pages. Despite my problems with it, it was highly readable. Though I still don't quite get the hype around it.

Rating: 3/5

Head Cast
Steven R. McQueen as Noah


Holland Roden as Echo
Fine Print
Published: 2012, Mira Ink
Source: Netgalley
Get It: Book Depository

Thursday, 5 September 2013

Review: Life in Outer Space by Melissa Keil


Life in Outer Space is an adorable Aussie contemporary YA novel. It’s told from the perspective of Sam, a film nerd who gets bullied on a daily basis. His world is rocked when the quirky, cool Camilla shows up at school – and surprisingly takes an interest in him. She provides a welcome distraction from his best friend’s strange behaviour and the fact that his family is slowly falling apart. Maybe too much of a distraction…

I really liked that this book was told from a guy’s perspective - it’s not something you get very much in YA these days, and Keil does it really well. I loved all the film references, the relationships Sam has with his mum and his mates, and the many cute moments in the budding relationship between Camilla and Sam. The secondary characters all had substance and played an important part in the story. I am torn on how I feel about Camilla. She annoyed me a bit at first because she just seemed like the perfect Manic Pixie Dream Girl, but as the plot unfolded and she acted on her own dreams and dealt with her own issues I warmed to her a lot more.

I enjoyed the subplots a lot, even more than the main romance plotline at times. The reason Sam’s best friend, Mike, quits his much-loved karate is an intriguing mystery, and the effect of the disintegration of Sam’s parents’ marriage on both him and his mother is heartbreaking and touching. Keil beautifully combines this drama with a snarky, pop culture-laced humour to create a very fun read.

What stopped this book from being perfect for me were the few things that were hard for me to believe. Like the fact that Camilla managed to make friends with everybody, and Sam's bullying mysteriously stops when she appears. Sam acknowledges this “magic” in the story, which helped a little, but it still didn’t feel realistic to me. There was also the fact that from the descriptions, Sam and Mike don’t sound like the kind of guys who really get bullied or even ignored. But the thing that really bugged me was the fact the high school had more of an American vibe with the lack of school uniforms and the spring dance and so on. I wanted to recognise Australia and what it's like to grow up here more than I did.

But these were only minor niggles in what was overall a really enjoyable book. It’s a quick, easy read, with just the right mix of humour and heart. And, of course, plenty of my favourite thing - pop cultural references!

Rating: 4/5

Headcast
So I'm pretty sure he looks nothing like how Sam is actually described, but I think because I've been watching way too much Dance Academy lately, I couldn't help but picture Sam as Thom Green, who plays Sammy on DA.

 


And in a sign that I watch a ridiculous amount of teen TV, I pictured Kaya Scodelario, a.k.a. Effy on Skins, as Camilla.



Fine Print
Published: 2013, Peachtree Publishers (this edition)
Source: Netgalley
Get It: Book Depository

Monday, 15 July 2013

Review: The First Third by Will Kostakis

Mollin' manicure for my readalong with Eleanor, Mandee, Mel and Melanie.

When I was little - I think about seven or eight - I spent my pocket money on a key ring with a little book attached, for a Mother's Day gift for my mum. On the front was a picture of a mumma cat with her two kittens. Inside, I wrote a story about a mum who got angry with her two kids and then felt bad about it. I was totally creative (or so I thought) and gave my characters names that were one or two letters off my own family's. I proudly showed my gran - my mum's mum.

"Why did you change the names?" she exclaimed. "It's bleedin' obvious it's you."

I was a teensy bit crushed. But she was right. It was bleedin' obvious it was us.

Which is pretty much how I feel about The First Third.

Will (short for William) Kostakis is a Sydneysider with Greek heritage. He grew up with his mum and two brothers (according to the acknowledgements of The First Third - which also suggest his mum is looking for love). As he mentioned at the Penguin Teen Live (PTL) event I attended a few weeks ago, he has an absent father, which contributed to making him incredibly close to his grandparents - his yiayia in particular. Judging by the story he told at PTL that inspired The First Third, he finds his grandmother's poor English skills and attempts to interact with unsuspecting retail workers hilarious. He also has a gay best friend with cerebral palsy. People confuse him with another Greek Australian writer, Christos Tsiolkas.

Bill (presumably William) Tsiolkas is a Sydneysider of Greek heritage. He grew up with his mum and two brothers. His mum is looking for love. He has an absent father, and has grown up incredibly close to his grandparents - his yiayia in particular. He finds his grandmother's poor English skills and attempts to interact with unsuspecting retail workers hilarious. He has a gay best friend with cerebral palsy. His surname is Tsiolkas.

I know they say to write what you know, but this just seems a bit much to me. I felt uncomfortable reading this with the knowledge that it was so heavily autobiographical. Like the author was somehow taking advantage of the people in his life. Now, they might not feel that way at all, but it's just the impression I was left with.

This was especially troublesome in regards to the treatment of his mother and grandmother. They were frequently the butt of  WBill's jokes - with his mother's looks in particular subject to demeaning remarks, such as she looked like a "reanimated corpse" after a night at the hospital, or that in her underwear "her body frowned". I don't think the writer intended to be sexist - in fact, there's a nice speech in there on feminism by Sticks, the main character's best friend. But it oddly came in response to another character's mention of "dropping" a girl. Apparently, that's misogynistic. Now, unless there's some history to being "dropped" that I'm not aware of, it's really not sexist. It's slang for breaking up with someone and can be (and is) applied to both sexes. It's not a gendered term. Repeatedly disparaging the female body, however? Pretty damn offensive. So while it was nice to see an explicit, positive discussion of feminism in a Young Adult book, this was seriously undermined by the problematic undercurrent of much of the novel's humour.

On the subject of humour, a lot of it was just plain unfunny. Early on in the book, Bill and Sticks head to Melbourne, and Sticks comments about the city, "I get the feeling that it's trying too hard to make me love it." I couldn't have said it better myself. The comedy in this book felt forced in many places, like the author was trying way too hard.

Kostakis was actually at his best when he forgot about attempting to be funny and just let his story flow. At its heart, this is a touching tale that centres around something I think pretty much everyone can relate to - the fear of losing loved ones. I know it got me all weepy just thinking about it. The importance of family, and the unbearable idea that they might not be around forever, is an admirable theme and was one of my favourite parts of The First Third.

I also loved that Kostakis featured multiple gay characters and a character with a disability and treated them with respect. There was no tokenism and they weren't just there for added drama. They were well-rounded and important parts of the story. If only I could say the same for the treatment of the female characters.

The First Third is a good book, but for me it was not great. The potential was there, and if certain parts of the novel were stripped back - especially the forced humour - it could have lived up to it and been amazing. As it is, I'll be interested to see what Kostakis does next.

Rating: 3/5

Fine Print
Published: July 2013, Penguin
Source: I received a review copy from the publishers.
Get It: Bookworld

Sunday, 14 July 2013

Review: Song in the Dark by Christine Howe


This book was just not for me. It wasn't bad. In fact, it was rather well-written. But for some reason I just couldn't connect with it. Which really surprised me because it's set in my hometown of Wollongong - a rare experience and something that I was very excited about. But even though the setting was familiar, I felt distant from the narrative and I can't quite put my finger on why.

Song in the Dark is the story of Paul, a young drug addict who does something terrible in his quest for drug money. His grandmother, Hetty, is left to reflect on her broken relationship with her grandson - when she had done nothing but love and support him. Paul is wracked with guilt at hurting the one person who has always been there for him, and his path to redemption is an interesting one.

Song in the Dark obviously deals with some very heavy issues. But it does so with respect and realism. Paul does some very bad things yet you can't help but feel for him. It's a sympathetic portrayal of addiction - something that not everyone views with sympathy. And your heart just breaks for Hetty. The sense of betrayal is gut-wrenching, and yet she still loves and hopes.

I did experience many emotions while I was reading Song in the Dark, and yet, as I've mentioned, it didn't particularly get under my skin. Perhaps it was the bleak nature. The frustration at everything going wrong. The briefness of it all. The third person perspective. I think the inconclusive ending certainly didn't help. I wanted more closure, but was just left confused. I think the writer intended it to be powerful and symbolic, but I was left wanting more.

Song in the Dark would probably be a powerful experience for many readers. It unfortunately just didn't quite hit the mark for me.

Rating: 3/5

Spoilery Talking Point
  • OK, can someone who has read the book please tell me what they thought of the ending? I can't decide. I really hope Paul and Hetty managed to reconnect and she was just dreaming, and not dead. 

Fine Print
Published: February 2013, Penguin
Source: Netgalley
Get It: Bookworld

Monday, 8 July 2013

Review: All This Could End by Steph Bowe


All This Could End is told from the third person perspective of two teenagers, Nina and Spencer, whose budding romance is cut short when Nina has to move away. Because her family are secretly bank robbers on the run. Yeah, not your average YA love story, that’s for sure!

I have to admit, I had a bit of trouble getting into All This Could End to start with. It wasn’t that I didn’t like it, I just didn’t particularly connect with it. I found once I put it down I wasn’t really compelled to pick it up again ASAP. So I read the first 50 or so pages and then a week went by when I didn’t even touch it. I was a bit frustrated by this, and was considering putting it aside to come back to at a later point, but decided to read another chapter first to see if it would grab me.

Boy, did it grab me. A couple of hours later I found myself more than half way through the book and realised I was sticking with it after all. So I decided to read one more chapter before bed. The next thing I knew, it was 1am and I had finished. After the initial speed bump it was a page-turner for me, and I loved it.

I think what finally drew me in was when Spencer and Nina met and spent one intense night together, talking and laughing and adventuring. It reminded me of all-in-one-night stories like Graffiti Moon, which I adore, and there was a real sense of connection between the characters. After that, I was interested in the development of their relationship and how the events would lead up to Nina holding a gun to Spencer’s head (that’s not a spoiler, BTW, it’s the start of the book, with the rest told in flashback).

But while I really liked Nina and Spencer’s chemistry, I have to say I agree with my Goodreads friend Eleanor in that I wished there had been more “on-screen” time between the two. A great deal of the book is actually focused on their disastrous family lives, and although I definitely appreciated that aspect, and liked that the story wasn’t all-romance-all-the-time, I think it did come at the cost of the development of their relationship. It’s never even really clear whether they are in a relationship or are just friends who have kissed at least once. I liked what was there, I just wanted more.

That said, I did really like the exploration of family dynamics. They were tense and heartbreaking and beautifully rendered. I especially loved the sibling relationships that both Nina and Spencer had. Although I do kinda wish at least one character in the novel had a decent mother. I wanted to throttle both Nina and Spencer’s mums. Especially Nina’s. But I didn't mind too much - because while she was truly awful as a mother, she was fascinating as a character.

Overall, All This Could End is a unique, refreshing Aussie YA with a great plot, interesting, flawed characters and some lovely – and not-so-lovely – relationships. I can’t wait to see what Steph Bowe does next.

Rating: 4/5

Fine Print
Published: 2013, Text Publishing
Get It:  Bookworld