Tuesday, 11 February 2014

Top Ten Books That Will Make You Swoon

1. Anna and the French Kiss by Stephanie Perkins. One of my fave YA romances, featuring an English boy with a French name at an American school in Paris. The chemistry between St. Clair and Anna is perfect.

Yes.

2. Persuasion by Jane Austen. I love all of Austen's love stories but Captain Wentworth is dreamy and THAT LETTER ungh.

Oops there goes my ovaries.

3. Vampire Academy by Richelle Mead. This whole series is great, and there's more than one swoon-worthy moment. Dimitri is a stone cold Russian fox.

This will always be my Dimitri. Sorry movie dude.

4. Amy & Roger's Epic Detour by Morgan Matson. Such a cute, sweet road trip rom com (with a serious side).

Yes. This is the Roger in my head. Uh huh.

5. Dare You To by Katie McGarry. If there's one thing McGarry knows how to write, it's a hot YA romance. Dare You To is my fave in the series.

I like pretty boys OK.

6. Perfect Chemistry by Simone Elkeles. See above.

IKR.

7. False Colours by Georgette Heyer. I just finished listening to the audiobook for this and it was so fun and adorable and there was TWIN hotties.

Double.

Swoon.
8. Adorkable by Sarra Manning. I know not everyone loves this book but I adore it. I love the realistic but still super cute dynamic between the two main characters.

Hai.

9. The Princess Bride by William Goldman. Three words: As. You. Wish.

TWU WUV.

10. Dead to the World by Charlaine Harris. Eric gets amnesia and cares about nothing but banging Sookie, basically. It's the highlight of the series.

If you insist.

Top Ten Tuesday is hosted by The Broke and the Bookish.

Sunday, 9 February 2014

Mini Reviews: Pride and Promiscuity, Raven Girl, A Christmas Carol, The Secret Life of Walter Mitty


Pride and Promiscuity: The Lost Sex Scenes of Jane Austen by Arielle Eckstut and Dennis Ahston
Ugh, this book was the worst. THE WORST. Curiosity and hope that it would be funny caused me to read it. But it was more cringe-worthy than funny. It is what the title suggests: sex scenes involving Jane Austen's characters. And Jane Austen is now rolling in her grave. It's basically really bad fan fiction, and some of it is incredibly disturbing. The worst is a scene in which the Bingley sisters basically rape Jane Bennet. It's awful. Don't read this book.
Rating: 1/5

Raven Girl by Audrey Niffenegger
As a modern fairy tale, Raven Girl is everything a fairy tale should be: whimsical, magical and just a bit violent, sad and disturbing. It tells the story of a man who falls in love with a raven, and the halfling daughter they have. The notion of a human and raven having a baby - or, more specifically, the implication of what they did to have one - is pretty icky, but if you focus more on it being a fairy tale with fairy tale rules (or lack thereof) it is easier to enjoy. I liked the way it blended more fantastical elements with modern realities like science and medicine. The illustrations are ugly but beautiful at the same time, and they fit well with the overall tone of the story. I would actually love to see the ballet version of this.
Rating: 3/5

A Christmas Carol by Charles Dickens, narrated by Tim Curry
Yes, this is how far behind I am with my reviews. I listened to this audiobook over Christmas. While the story was as wonderful as ever, I have to say I was disappointed with Tim Curry's narration. I expected amazing things so that didn't help. It just didn't feel right, and some of his voices were ridiculous and distracting. I think this year I'll just reread it again rather than listen to it (or at least this version).
Rating: 2.5/5



The Secret Life of Walter Mitty by James Thurber, narrated by Ben Stiller
This is a super short audiobook - like, 11 minutes long. Obviously this is the basis for the movie, which I haven't seen, but judging purely from the trailer they haven't kept a lot from the original story. Walter Mitty is an old man who escapes the tedium of his life and his nagging, annoying wife by going on fantastical adventures in his head. It was a good short story, if a little depressing, and Ben Stiller's narration was quite good. I don't know that I'll bother with the Hollywood version of this story though.
Rating: 3/5

Mini Review: The Grisha, Books One And Two, By Leigh Bardugo

Considering I am SO over paranormal books, love triangles and Speshul Snowflake Chosen One characters, I enjoyed these books A LOT. I didn't think I would, but Jaz at Fiction in Fiction in Fiction insisted they were awesome so I gave them a shot. And she was right!



The fantasy world of The Grisha is based on Russian culture, which I kind of loved. It was different to the usual Western European influences, and the world building and plot premise was quite unique and engaging. What I liked less were the Chosen One and love triangle tropes I already mentioned, but the book was good enough otherwise that these things didn't bother me so much.

I quite liked Alina as a main character but I have to say this is one of those books where the villains/anti-heroes are much more compelling than the heroes. The Darkling was the highlight of The Gathering Dark, and I loved how you couldn't tell whether he was really good or really bad. The chemistry between him and Alina was hot. The same cannot be said for poor Mal. I feel like he is probably endgame but he's really a bit of a drip. He's not only eclipsed by The Darkling but also Sturmhond in the second book, Siege and Storm. It was kind of annoying that another apparent love interest was being introduced, but he was kinda worth it. Sturmhond quickly became my favourite character in the series - I love his charm, wit and yes, his chemistry with Alina. Basically everyone has better chemistry with her than Mal. I feel like Mal is more of a brother figure but she doesn't realise it yet.

The second book was probably my favourite out of the two. I really enjoyed the action scenes and the surprising twists.

I really enjoyed these two books and am excited about the next one in the series. They're well written and entertaining enough to overcome the standard formula of YA trilogies that can get so tedious.

Rating: 4/5

Head Cast
Not exactly how the characters are described but once they pop into my head they won't go away:

Taissa Farmiga as Alina

Evan Peters as Mal 
Jon Snow Kit Harington as The Darkling

Hook Colin O'Donoghue as Sturmhond


Tuesday, 4 February 2014

Top Ten Books That Will Make You Cry

1. Anne of Green Gables by L. M. Montgomery. Matthew gets me every time.


2. Wildlife by Fiona Wood. I had to put this book down seven pages in, I was so upset.


3. The Time Traveler's Wife by Audrey Niffenegger. I sobbed for a good half an hour after finishing this book.


4. On The Jellicoe Road by Melina Marchetta. I can't even talk about it.


5. Never Let Me Go by Kazuo Ishiguro. This book still haunts me.


6. The Reluctant Hallelujah by Gabrielle Williams. The ending kind of blindsided me, in the best way possible.


7. Checkers by John Marsden. This is the first book I remember crying over, and it still makes me cry today.


8. Little Women by Louisa May Alcott. Anyone who doesn't shed a tear for Beth clearly doesn't have a heart.


9. The Book Thief by Markus Zusak. The characters in this book burrow into your heart... and tear it apart.


10. If I Stay by Gayle Forman. So much sadness in this book, but Teddy in particular is a punch in the gut.


Top Ten Tuesday is hosted by The Broke and the Bookish

Sunday, 2 February 2014

Audiobook Reviews: Jane Austen's Novels, Narrated By Juliet Stevenson

When I started listening to audiobooks, Mandee from Vegan YA Nerds put me on to Juliet Stevenson as a narrator and as usual her recommendation was spot on. Juliet is amazing! Over the last two months I've listened to all of the Austen novels she has narrated (every one but Pride and Prejudice) and I have enjoyed it immensely. I used to reread Austen's books every year or two, but since starting this blog I hadn't touched them. Listening to the audiobooks seemed like the perfect way to finally revisit them.

Juliet has a clear, engaging narration style, well-paced and just a pleasure to listen to. She is excellent at creating unique character voices - I don't think I heard the same one repeated across all five books. Each voice fit each character really well, and she switched between personas so effectively you forgot that it was only one person you were listening to. She did well with both the men and the women, and really brought them to life, making them seem like real and warm people, not distant characters in a classic.

Listening to the books also meant I got a lot more out of them than I think I have in the past. Juliet added nuance and texture to the prose that conveyed its meaning more clearly than reading it often does. It was much easier to pick up on the subtleties and Austen's wry wit with such excellent narration.There was a lot I noticed that I don't remember from previous reads. Here are some thoughts on each book:

Emma
I enjoyed this SO much more than when I was forced to read it in high school. Emma is an awful biatch for a lot of the book, but instead of finding that incredibly annoying, I actually kind of loved it. She's not perfect by any means and that is really endearing. The way her character grows makes for such an interesting arc. All the characters are delightful, and of course Mr Knightley is quite dreamy, if a little creepy with the whole "I fell in love with you when you were 13" thing. I LOVE that (spoilers but do spoilers count for a 200 year old book?) he moves in with Emma at the end rather than the other way around. Despite the age difference they have an equal partnership and I adore it.

Persuasion
This has always been my second favourite Austen book after Pride and Prejudice, but funnily enough I didn't enjoy it as much this time around. I still loved it, of course, but perhaps because I had just finished Emma, in which Knightley is a nearly constant presence, I really felt like there wasn't enough Captain Wentworth. Of course, it fits in with the story, and Anne's sense of isolation from him, but I didn't connect with him and their relationship as much as I usually do. It all felt rather rushed. I'm not sure if this was due to it being an audiobook or just me being in a different place to the last time I read it. Nevertheless, it was still a delight and oh THAT LETTER is still one of my favourite love declarations of all time.

Mansfield Park
Still my least favourite Austen. Of course, Austen at her worst is better than pretty much anyone at their best. Mansfield Park is a compelling and enjoyable story, but I just find Fanny and Edmund so frustrating. I actually liked the secondary characters so much more. They're not so perfect and prissy, and I found them much easier to sympathise with for most of the book. Plus what happens to them is so much more interesting - the scandal! The snark! It's so much fun. Fanny, meanwhile, is so weak and insipid, and Edmund is stern and completely clueless. Fanny spends the whole book mooning over him and it literally took til the last eight minutes of the audiobook before Edmund realised it or even thought about her as more than a friend (or, I should say, cousin). Definitely not my favourite romance.

Sense and Sensibility
I just adore this book. What I really appreciated this time around, which I perhaps haven't fully connected with in the past, was the beautiful family relationships presented, especially between Marianne and Elinor. I feel like the romances are almost secondary to the bond of the sisters, and I love it. Of course, I love the romances too. I really like Marianne's journey and the way her character develops around her romance plot. You can't help but feel for Elinor too. She's such a strong, great character. And putting up with Lucy, ugh - Lucy has to be one of the biggest bitches Jane Austen every wrote. Overall it's such a fantastic, interesting story with a wonderful cast of characters. I also would really like to read a prequel focused on Colonel Brandon's story now, poor guy.

Northanger Abbey
Oh, Catherine Morland. I have such an affection for the silly, melodramatic girl. I feel like she is the original fangirl. Her obsession with fictional characters and worlds causes her so much embarrassment in real life. It's really cringe-worthy but also completely endearing. I'm surprised Northanger Abbey hasn't really had a modern adaptation yet, because it lends itself to it really well. Catherine feels like a normal 17-year-old. I adore Henry Tilney too. I love his sense of humour and lively spirits. I really like how Austen satirises novels and fiction while honouring them at the same time. It's a really, really fun book - as all of Austen's are!

Monday, 27 January 2014

Recap: Garden of Shadows By Virginia Andrews, Part 3

Read Part 1.
Read Part 2.


Malcolm's father Garland arrives at Foxworth Hall after three years of travelling Europe with his 19-year-old wife Alicia. Soooo that means she was 16 when they married. And Garland was 55. Alicia later explains that she's actually known Garland since she was six - he was a friend of her father's - and he began taking her for walks and kissing her ("NOT a peck on the cheek", if ya know what I mean) when she was 14. But it's OK, they were in LOVE. It wasn't an unequal dynamic AT ALL. Especially not because Alicia's family was basically dependent on Garland for their welfare (her dad couldn't work and G helped him out). Yep. It's not squicky at all.

 BRB I need to take a bath I feel really dirty.


OK I'm back. So the two couples finally meet and Olivia gets a shock at how young Alicia is, Malcolm gets a shock when he sees she's heavily pregnant, and Garland and Alicia get shocks when they find out Malcolm is married with two children. Apparently he didn't think it was important enough to tell his own father.

Fast forward to dinnertime and Garland and Alicia are really affectionate and Alicia doesn't have fine manners (she talks and giggles a lot and eats with her mouth open!) which quite shocks Olivia's sensibilities, and she expects Malcolm to snap at any minute, but (un)surprisingly he seems quite taken with Alicia. He's nicer to her than he ever is to his own wife. Olivia is already incredibly jealous of Alicia's beauty, tiny hands and peaches and cream complexion (add that to the drinking game), so Malcolm's behaviour doesn't exactly help. Nor does the love and passion Alicia and Garland so openly exhibit - she's offended but also at the same time really envious that she's never experienced that herself. There's a moment when Olivia stands outside their bedroom door listening to them laugh together that is really very sad. I feel bad for her.

Then she goes and fantasises about Alicia having a miscarriage. Seriously, Olivia?


Of course, she's not so petty as to wish the baby didn't exist because of money - she's not like Malcolm! - no, she wants the baby dead because it might be better looking than her own children.

Let me repeat that. She fantasises about the death of an unborn baby because it might be better looking than her kids.

And there goes a lot of my sympathy for Olivia. OK she is a victim of abuse and probably pretty traumatised by this point, but I don't think that justifies wishing for the death of an infant, especially for such an absurd reason. And she doesn't just wish for it, she actually attempts to make it happen. She suggests Alicia explore the attic, taking her through THE room and telling her to go up the stairs. The light doesn't work because OLIVIA UNSCREWED IT EARLIER and Olivia basically shoves her in before closing the door after her. But she warns her that it's probably not a good idea before she disappears to the other side of the house where she won't be able to hear any screams, so therefore if anything happens she isn't to blame because she DID try to tell her. She goes off to read but poor Olivia can't concentrate  because all she can think about is Alicia tripping and falling and, I quote, "perhaps banging her head against one of those trunks or armoires, and lying there in the throes of a miscarriage." Oh, Olivia.

Unfortunately for our heroine Alicia is just fine. When Malcolm and Garland get home from work, they rush up to the attic after finding out that's where she is, and discover her trying on the dresses of Sluttiest Slut Who Ever Slutted, a.k.a. Malcolm's mother Corinne. Garland laughs it off but Malcolm just gets a daydreamy look in his eyes. Uh-oh...

Two weeks later, much to Olivia's annoyance, Alicia gives birth to a beautiful, peaceful, almost supernaturally aware baby boy, named Christopher Garland. Garland, being an actual nice father and husband, spends more time at home with Alicia and the baby, which annoys Olivia because she is "forced to witness their love". Like the daily afternoon delights they partake of. Olivia doesn't understand how anyone could be so "hot-blooded", so one day she eavesdrops on them and hears Alicia's multiple orgasms and Garland's begging for reassurance that he's not an old man (HAWT). That's all it takes to get Olivia hooked, and soon listening to (and imagining) their sexytimes becomes the highlight of her day. One day she even watches them do it by the lake, and then goes back to her room and cries for an hour because she feels so cheated. OK I am beginning to feel really sad for her again, miscarriage incident notwithstanding.

Later that night Malcolm tells Olivia his father has revealed his plans for his will: the house and business are all Malcolm's, but Alicia and Christopher are to get five million dollars between them, with Malcolm as administrator. He doesn't trust his father and asks Olivia to tell him if Alicia reveals any secrets about money or inheritances. She is shocked he wants him to spy and he makes a snarky quip about how she already spies on them. Oops.


Soon the focus is on Malcolm's issues again, as his Oedipal complex rears its ugly head when Alicia decides it would be a great idea to move into the SWAN ROOM and not change a thing from when her husband's first wife lived there. It comes out that Malcolm blames Garland for Corinne leaving, and Garland blames Malcolm. Healthy family relationships right there.

Malcolm also mentions in passing how disgusting things are happening in the SWAN ROOM and Olivia, curious as to how he knows this, and probably wanting to revive her own spying, goes to check out Malcolm's trophy room, which is next to the SWAN ROOM. She discovers a hidden peephole that was "perhaps dugout by a five-year-old boy" and it seems even as a child Malcolm was a pervy lech. And we get this quote from Olivia, on not telling Malcolm what she's discovered: "what would be far worse would be my own embarrassment in letting him know that I knew he was more interested in his father's and Alicia's lovemaking than he was in our own."


Olivia starts to suspect Malcolm has a thing for Alicia (you think?!) and one day, to get to the bottom of things, she follows him as he follows Alicia down to the lake. She hides in the bushes and sees Malcolm being a really pervy lech by taking off his clothes and threatening to get in the water, where Alicia, in her underwear, is yelling at him to stay away. Turns out he frequently makes passes at her, which shocks Olivia and no one else. Alicia manages to run away, threatening to tell Garland if it ever happens again (she hasn't before now because she doesn't want to upset him). Malcolm follows after her a little while later, muttering to himself about sluts and revenge like a cartoon villain. He then proceeds to insult or ignore Alicia all the time, and Olivia almost feels bad for her, except she's mad at her for being so "beautiful and tempting" and I am feeling ragey. She takes delight as Alicia becomes more depressed and there goes all my sympathy again. Olivia is slightly redeemed when she admits to regretting such selfish emotions in hindsight, because they brought "demons" into her house. But only slightly.

Next time: Malcolm becomes even Worse as the Worst of the Worst.

Friday, 24 January 2014

Friday Link Dump: The Slap in America, Frozen Censored and Anne Shirley on YouTube


-In the vein of the Lizzie Bennet Diaries and The Autobiography of Jane Eyre, a new web series has begun based on Anne of Green Gables. It's pretty good so far. (YouTube)

-The Slap is being adapted for American TV (because its native Australian is too foreign, I guess?), as well as a new Wizard of Oz series that sounds fun. (EW)

-Flavorwire lists 25 YA books adults should read. Pretty standard for the most part. (Flavorwire)

-Here are some movie adaptations to look forward to this year. I haven't read any of these books, I think now is probably the time! (Publisher's Weekly)

-The Mockingjay poster is here! Too bad we have to wait 10 months for the movie. (Facebook)

-There's a #readwomen2014 challenge that is a lot like #AWW2014 but not focused on Australian women (obviously). (The Guardian)

-You have to watch Frozen with unnecessary censorship. It's hilarious. (YouTube)

-Also hilarious: what if Google was a real live person? (YouTube)

-These 100-year-old colour photos of Russian are amazing. (Mental Floss)

-The portraits of celebs this guy takes with Polaroids are so incredibly cool. (Tumblr)

-On the more professional side of portraiture are the EW shoots from Sundance. Love them all. (EW)

-BuzzFeed stuff: The very accurate 15 things that happen when you work in an office; 12 historic bars every bookworm needs to visit (I want to go to them all!); This story of two college girls discovering they were actually sisters after becoming friends is pretty freaking amazing; and in honour of Australia Day on Sunday I posted these awesome Aussie manis and these drool-worthy Aussie recipes.

Thursday, 23 January 2014

Recap: Garden of Shadows By Virginia Andrews, Part 2

Read Part 1 here. 
Read my (rather confused) thoughts on enjoying problematic things like theses books here. Thanks to everyone who commented on this, by the way. I think upon reflection what it boils down to is that these books are larger-than-life fantasy - they are gothic horror/fairy tales, and enjoying them doesn't hurt others. As long as the snark sticks to the way in which the books handle the subject matter, not the subject matter itself, it can actually be a good thing. I think. Anyway, on with the recap...


Olivia, having woken up the day after her wedding to an absent husband and an in tact V-Card, descends the grand staircase to meet her servants, picturing herself as an Amazonian Queen instead of a hag for once. She gives the servants sass to show how important she is. Then she realises they know more about her husband than she does and she's back to feeling lonely and hag-like once again. 

To pass the time, she decides to explore the place that is now her home. She finds herself drawn to Malcolm's mother's room, of the infamous SWAN BED, and is shocked by how opulent and pink and mauve it all is. She wonders if this is the kind of woman Malcolm wants her to be - all sensual and pretty and stuff - because you should totally get ideas on what your husband wants in the bedroom from his mother's.

Turns out she's pretty accurate though because Malcolm catches her on the SWAN BED and gets mad before revealing his mother didn't actually die, as Olivia previously believed, but abandoned him when he was five to run off with her lover because she was beautiful and therefore stupid and also the Sluttiest Slut Who Ever Slutted (actually the word he used was "harlot" but that's what he really meant). He admits he married Olivia because she would never abandon him because remember she looks like this:


Then Malcolm rapes Olivia on his mother's bed while crying out his mother's name. I forgot how much sexual assualt there is in these books. It is really horrible.

Olivia cries herself to sleep in her own bed while deciding she will be the best wife she can be, and it's heartbreaking. The next day both she and Malcolm act like nothing happened, and Malcolm announces they're going to have a party the following night to celebrate their wedding. Olivia is frozen out of the preparations and decides to wander the house again. This time she comes across THE room adjoining the attic and immediately thinks "this would be the perfect place to hide someone away". As you do. And she goes up to the attic so clearly her claustrophia hasn't hit yet, although she does rush out of there when she has a flashback to being locked in a closet by her mother when she was a kid. It's a bit of a surprise because so far she's mentioned nothing but positive things about her mum. I can't remember if this is explored further later on - I guess I'll find out soon!

The next evening Olivia is excited about the party but that lasts all of five minutes because all the women are tiny and pretty (and obviously stupid) and wearing dresses that are ABOVE THE KNEE. And everyone is bored of her and makes fun of her behind her back but she can totally hear them. Malcolm of course acts as a husband should by ignoring his wife and licking food off other women's fingers, and then disappearing into the library with one of them and coming out very rumpled.

Olivia is understandably incredibly hurt and goes to bed to cry herself to sleep. Sweet, sensitive Malcolm chooses this moment to come into her room naked, command her to give him a son, and rape her once again. It is really, really awful. When Olivia tries to get him to say or do something nice he says that that mushy stuff is for harlots and sluts like his mother and he doesn't want to hear about it ever again.

Nine months and two weeks later Olivia gives birth to a son, Malcolm Jr a.k.a. Mal. Her husband is so satisfied he proceeds to basically ignore his son. Then Olivia gets pregnant again because Malcolm wants a girl, but she has a really tough pregnancy and then has the nerve to give birth to ANOTHER boy who is also sickly and Malcolm takes it as a personal affront. To rub salt into his wounds the doctor says she won't be able to have any more kids, which Malcolm won't accept because he wants a girl and he always gets what he wants.



The years go by with Olivia doting on her sons and Malcolm ignoring one and openly hating the other. One day she gets a telegram saying her father has died, but Malcolm won't let her go to the funeral because it's not right for a woman to leave her children for even one night and I threw the book across the room in anger.

He finally lets her go but she's five hours too late and all that's left is to learn the conditions of her father's will, in which she realises he knew how awful Malcolm was because he made sure he wouldn't get any of her money. She also reveals all her heartbreak to her creepy cousin John Amos and a beautiful friendship is born.

Back at home, Malcolm drops the bombshell that his dad is moving back into Foxworth Hall with his new wife. Olivia expects that this means she and Malcolm will get their own home with their kids, and Malcolm laughs it off. Because nothing can go wrong in this scenario.

And by now my heart has completely broken for Olivia and I'm kind of overwhelmed by all the abuse. Malcolm is frontrunner for my just-invented Worst of the Worst Men Of VC Andrews Award. And that's saying something.

Next time: Malcolm finds a new mother to obsess over.

Wednesday, 22 January 2014

Talking Point: On V.C. Andrews And Enjoying Problematic Things


I've got my next Garden of Shadows recap ready to go but something has been playing on my mind today which I wanted to get out there before I continue with that little project. This post is very much me trying to clear my own head and figure things out for myself, so hopefully it makes sense. I'd really like to start a discussion and get everyone's opinions on the matter.

As I get older and learn more about the world, and notably spend more time on social justice hubs like Tumblr and Twitter, I become more aware of the problematic aspects of a lot of pop culture. It can make it really hard to enjoy sometimes, but I think it' important to be sensitive to these issues.

Take Flowers in the Attic. Having loved the books as a kid, I excitedly watched the movie and live-tweeted my snark. It was a lot of fun. I didn't make any direct jokes about incest - but many did. This was triggering for some people, as author C.J. Redwine eloquently writes here. Her post really made me think and is the main reason I'm writing this post. I could completely understand her point, and that this kind of abuse is no laughing matter.

It got me wondering about Flowers in the Attic, V.C. Andrews and indeed pop culture as a whole. If jokes about incest and abuse are bad, does it make it wrong to enjoy movies and books that feature them? V.C. Andrews' bread and butter is incest and abuse. The plots are wrong on so many levels and yet I - and many others - love (or perhaps more accurately, love to hate) these stories. I wouldn't say they glorify abuse, but they perhaps sensationalise it. These are by no means serious reads - you go to them when you want something trashy and fun - and yet they are about very serious subjects. Sure, they can still be very emotionally affecting and horrifying, but the melodramatic nature in which they're written and the over-the-top characters definitely lend themselves to the snark that colours many people's reactions. Including my own.

So. As I said I loved the Flowers in the Attic movie and have really enjoyed revisiting the books and recapping them. But I in no way want to make light of the subject matter or suggest it's something to make fun of. Some truly awful things happen in these books. And they're awful to read about. In the recap I've got in my drafts at the moment (which I wrote yesterday), I talk about how horrific it is to read about Olivia being raped. But reconsidering it in the light of Redwine's post made me really question the fact that I enjoy these books nonetheless! Obviously I am far from the only one who likes them, so they must appeal to something in many of us. I'm just not sure it's necessarily the best part of human nature.

On the other hand, perhaps these stories of abuse can allow people to empathise and understand such issues in ways they wouldn't otherwise. They certainly reflect the very nasty effects of abuse, as well as things like gender inequality. I know my own reaction is always very much along the lines of "this is awful, this is wrong, these people are the worst!", and perhaps in a way such pop culture is compelling because it allows us to more clearly define and communicate what IS problematic. There is something cathartic about reading these stories, exploring what is dangerous, taboo and scary from the safety of a book. BUT I say this as someone who has been fortunate enough to have never suffered abuse of any kind. So I wonder what effect these stories have on survivors of abuse. I would hate for my catharsis or especially my entertainment to come from something that hurts others.

So basically I'm confused and unsure and questioning a lot of things and I'd really like to talk about it with all the crazily smart and sensitive people who I am lucky enough to have read my blog.

Let me know what you think.

Monday, 20 January 2014

Recap: Garden of Shadows by Virginia Andrews, Part 1

Yes, I am rereading the series that destroyed my innocence taught me everything I know about sex entertained me so as an 11-year-old. Watching the new Lifetime movie (which was amazeballs BTW) made me really want to revisit the books, and I'm starting with prequel because I like chronology. I thought I'd try recapping rather than reviewing, so here we go...

This is not the cover I own but it is the only cover that matters.

We begin with the prologue (derrr), which is an "addendum" to Olivia "The Grandmother" Winfield Foxworth's will, throwing serious subliminal shade at Cathy for "publishing" all their sordid secrets in Flowers in the Attic and forcing her to have to tell her side of the story. I like sassy Olivia.

Like Cathy, Olivia opens her tale by talking about colour - for her, her whole life was gray. She wanted to have a life like the colourful, beautiful family in her glass-encased dollhouse, but alas she couldn't. You see, she was Ugly. Not just Ugly, but TALL with BIG BOOBS. This meant she was an old maid at 24. I kid you not, she describes herself as a spinster. Her dad is constantly trying to marry her off, but his attempts are fruitless because she basically looks like this:

Source
But even that might be acceptable if she didn't have the nerve to be smart and believe women have the right to vote and - get this - actually speak her opinions out loud. Outrageous! Her dad criticises her for challenging "the most treasured of manly privileges" and I popped a blood vessel in my eye. But then he actually does some nice things like put her through college, give her a job and put conditions on his will so that her inheritance is hers alone, to prevent men from wanting to marry her for money. Enter Malcolm Neal Foxworth, who gives her a funny feeling in her lady bits with his cerulean blue eyes (get ready to hear that description a lot) and a face so perfect the sun shines out of it. Also he is taller than her.

Source
Maxwell manages to make Olivia fall in love with him in a matter of days because she is so desperate to be loved, and he does extraordinary things like talk to her and listen to her and say how glad he is that she's intelligent because he can't stand beautiful girls. Coz they're stupid. But Olivia isn't coz remember she looks like this:

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So Malcolm asks her to marry him because he is ambitious and wants a wife who is smart and can help with business and stuff, and Olivia is overjoyed even though they haven't even kissed yet and he's never mentioned he loves her, because somebody - somebody really really good-looking - actually wants her. The wedding is rushed because Malcolm is impatient to get on with it and only Olivia's dad, aunt and her creepy 18-year-old cousin John Amos attend (Olivia's mum died when she was a teen and Malcolm doesn't give a fuck about his family). Olivia is excited to finally get a smooch and Malcolm disappoints her with peck that's drier than white dog poo. C'mon Mal, I know she's a hag but you could at least slip the tongue in for a few seconds! Olivia thinks he must just be shy and I'm beginning to doubt how intelligent she actually is, even if she is really fug.

The newlyweds travel straight to Foxworth Hall overnight and Olivia is relieved at not having to consummate the marriage right away because the idea of dirty relations freaks her out. But when they get to Foxworth Hall in time to go to bed for a few hours, she is dismayed to find her devoted husband won't be sharing her bedroom. Turns out she wouldn't mind trying some dirty relations at least this once. She gets all gussied up in her new dressing gown with a SCANDALOUS v-neck anyway, thinking he will come visiting and just didn't want to admit it in front of the German housemaid. But by the time morning comes said housemaid is the only person who greets her, with a judgmental look at her trashy outfit. Dear Mal has already left for the day and poor Olivia couldn't even get the D on her wedding night. Because remember she looks like this:

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For real I actually feel bad for her right now.

Next time: Olivia settles in to life at Foxworth Hall and actually gets to know the man she has married beyond his cerulean blue eyes.

P.S. Let me know in the comments if you like the recap style or if it makes you feel like Malcolm when he kisses his wife.