I posted a little while ago about how I was cautiously excited about Diablo Cody's upcoming flick Young Adult, because it sounded like an interesting comedy about a YA author, plus it had an awesome poster. Well, the trailer has been released, and I have to say I'm no longer excited at all. I think I'll give this one a miss. It doesn't even look craptastic - it just looks crap.
One movie that I am getting increasingly excited about is Snow White, starring Lily Collins and Armie Hammer. There's no trailer yet, but there is a bunch of pretty stills:
In other (kinda old, but new to me) movie news, I was surprised to find out that John Milton's epic poem Paradise Lost is being adapted for the big screen. As an action movie. In 3D. Starring The Hangover's Bradley Cooper as Lucifer, unknown Benjamin Walker as Michael, Ben's little brother, Casey Affleck, as Gabriel, I Am Number Four's Callan McAuliffe as Uriel, Pretty Little Liars' Diego Boneta as Adam and... wait for it... the girl Joe Jonas dumped Taylor Swift for, Camilla Belle, as Eve. I don't know how I feel about this. I'm curious, that's for sure. I guess angels really are the new vampires, huh?
Showing posts with label callan mcauliffe. Show all posts
Showing posts with label callan mcauliffe. Show all posts
Tuesday, 25 October 2011
Wednesday, 6 April 2011
Review: The Nest by Paul Jennings
Reading this book was like catching up with a childhood friend.
Paul Jennings was one of my favourite authors when I was a kid, so it was wonderful to return to his writing with The Nest, his first book for older readers (it's aimed at the late teens). From page one I recognised his distinctive style, and it gave me a feeling of, "Oh, so there you are". Now I want to go dig up and reread my old Jennings collection, even though I'm waaay out of their target demographic.
But let's talk about The Nest. It tells the story of Robin, a troubled teen living in the Victorian Alps with his cruel father. His mother disappeared from his life when he was young, something that still profoundly affects him. He's plagued by worrying thoughts, and while he's trying to get a grip of them and deal with his dad, he's also navigating the tricky territory of first love (and first lust).
This book is a lot darker than most of Jennings' other work (hence the older audience), but it still bears his trademark humour, straightforward storytelling and, of course, an incredible twist. The snowy setting was unusual for an Australian story (definitely not the typical beach or outback environment), but the stormy weather added to the growing sense of turmoil in Robin's world. A writer himself, the plot is spliced with the stories Robin writes, which themselves reveal small hints of what's to come. I also enjoyed them because they reminded me even more of Jennings' own short stories (nostalgia points!).
I loved this book. Even without the nostalgia, it would be a great read. The story is simply told, but powerful. I read in an interview with Jennings that he wanted to write this story to let teens, who might be going through a similar experience to Robin, know that they're not alone. And he's done a brilliant job - I really connected with Robin and felt his pain. There were quite a few times that I just wanted to give him a hug and tell him that he wasn't alone, and that everything would be OK.
Rating: 4/5
Talking Points (Spoiler Alert!)
Probably because I've recently seen him in I Am Number Four, Callan McAuliffe was Robin for me. He's got the right dorky/cute look:
Robin repeatedly describes his friend/crush, the compassionate "greenie" Charlie, as beautiful. For some reason Ashleigh Brewer, a.k.a. Kate Ramsay on Neighbours, kept popping into my head. I don't know why - I don't even watch the show. But she is very pretty:
Sophie Lowe really pulled off the creepy/selfish/temptress vibe in Beautiful Kate, so I thought she was the perfect fit for Verushka:
Fine print
Genre: Young Adult
Publisher: Penguin Books Australia
First published: 2009
Best deal: Book Depository
This post is part of Aussie Author Month, which supports the Indigenous Literacy Project.
Paul Jennings was one of my favourite authors when I was a kid, so it was wonderful to return to his writing with The Nest, his first book for older readers (it's aimed at the late teens). From page one I recognised his distinctive style, and it gave me a feeling of, "Oh, so there you are". Now I want to go dig up and reread my old Jennings collection, even though I'm waaay out of their target demographic.
But let's talk about The Nest. It tells the story of Robin, a troubled teen living in the Victorian Alps with his cruel father. His mother disappeared from his life when he was young, something that still profoundly affects him. He's plagued by worrying thoughts, and while he's trying to get a grip of them and deal with his dad, he's also navigating the tricky territory of first love (and first lust).
This book is a lot darker than most of Jennings' other work (hence the older audience), but it still bears his trademark humour, straightforward storytelling and, of course, an incredible twist. The snowy setting was unusual for an Australian story (definitely not the typical beach or outback environment), but the stormy weather added to the growing sense of turmoil in Robin's world. A writer himself, the plot is spliced with the stories Robin writes, which themselves reveal small hints of what's to come. I also enjoyed them because they reminded me even more of Jennings' own short stories (nostalgia points!).
I loved this book. Even without the nostalgia, it would be a great read. The story is simply told, but powerful. I read in an interview with Jennings that he wanted to write this story to let teens, who might be going through a similar experience to Robin, know that they're not alone. And he's done a brilliant job - I really connected with Robin and felt his pain. There were quite a few times that I just wanted to give him a hug and tell him that he wasn't alone, and that everything would be OK.
Rating: 4/5
Talking Points (Spoiler Alert!)
- I loved the way everything was connected, especially the way Robin's stories were interwoven with the plot. The only one I didn't quite get the significance of was the champagne bottles - I saw the connection with Robin's images of champagne corks popping, but I was expecting that to play a more significant part in the end, and when it didn't, I wondered what the point was.
- The final lines were amazing, and really summed up the whole book for me: "And he must walk in the night for a while, for without the dark there is no day, nor star to see, nor tale to tell... to show the way."
- Jennings stated in an interview that Robin has OCD (exactly what his problem is is never mentioned in the book), but I didn't pick up on that at all. Maybe I just don't know enough about it, but I thought Robin was depressed, or perhaps even schizophrenic. But I guess that's a minor point, because either way, the portrayal of Robin's feelings of hopelessness and his inability to control his own thoughts was really powerful and effective.
Probably because I've recently seen him in I Am Number Four, Callan McAuliffe was Robin for me. He's got the right dorky/cute look:
Robin repeatedly describes his friend/crush, the compassionate "greenie" Charlie, as beautiful. For some reason Ashleigh Brewer, a.k.a. Kate Ramsay on Neighbours, kept popping into my head. I don't know why - I don't even watch the show. But she is very pretty:
Sophie Lowe really pulled off the creepy/selfish/temptress vibe in Beautiful Kate, so I thought she was the perfect fit for Verushka:
Fine print
Genre: Young Adult
Publisher: Penguin Books Australia
First published: 2009
Best deal: Book Depository
This post is part of Aussie Author Month, which supports the Indigenous Literacy Project.
Tuesday, 22 March 2011
The Movie Was Better: I Am Number Four
Oh dear. My feelings for the movie were pretty much the same as for the book: meh.

I went in anticipating that I Am Number Four would be more exciting as a film than a book, and it was. I liked it a lot more. But I still didn't love it. And I still didn't hate it. I still didn't really feel anything for it. It wasn't bad enough to enjoy in a snarky way, and it wasn't good enough to enjoy at face value. It was just OK. And that was kinda disappointing.
Surprisingly, it was pretty different to the book. The main gist was the same, of course, but there were a gazillion little changes that I wasn't expecting (potential spoilers ahead)....
Changes that worked
- We see Six a lot earlier in the movie - and I wanted even more screen time from her. As much as I love Dianna Agron, her character was totally bland, while Six totally kicked butt. In fact, there was way more chemistry between Six and John than Sarah and John and I found myself wanting them to be together instead.
- Sam's father was investigating alien activity before he disappeared, and Henri brought John to Paradise because he wanted to find out what he'd been up to (John doesn't know this, of course). Henri is a lot more forceful with getting John to agree to leave, too. It just made a lot more sense.
- The Mogadorians (or Mogs, as they get called for most of the movie, heh) pursue John and co. immediately after running into them at the They Walk Among Us peeps' house. Again, it just made a lot more sense - I found the space between this incident and the final battle months later a bit ridiculous in the book.
- Speaking of They Walk Among Us, it was a website, not a magazine. Way more realistic in this day and age. Sense!
- Mark was heaps nicer to John when he first meets him, and only bullies him after John himself is a bit of an arse to him. Granted, he has his reasons, but Mark being kinda nice to start with worked better with his niceness at the end - as opposed to the book where he does a complete 180.
- John and Six's powers were different. While it probably wasn't totally necessary, it did allow for the awesome shot of Six protecting John from the fire (when in the book, he could do this himself), and avoided the weirdness of thunderstorm demons.
- Bernie Kosar immediately transforms when the battle starts (it's actually a pretty funny moment). In the book, it felt like the fight had been going on forever before he finally showed up to save the day.
- It seemed like less Mogs showed up to fight in the final battle, so it was easier to understand why the kids were able to beat them. The battle itself didn't drag out nearly as much and was a lot more action-packed (as a battle should be).
- Sam had a jerk of a step-father he was desperate to escape from, so when he left with Six and John in the end he wasn't just ditching his poor mother like he does in the book.
- Henri's death earlier in the film allowed for a more triumphant mood at the end.
- John appears pretty popular at his last school and is more standoffish when he gets to Paradise. It diminishes the reasoning behind his attachment to the town and to Sarah and Sam, and why he's so desperate to stay.
- Sarah isn't as overtly nice in the beginning. I didn't really warm to her at all. Like I said, as beautiful as Dianna Agron is, her character was pretty bland.
- They never really explain that there's a charm that means the aliens can't be killed except in sequential order. Which is kind of a big deal.
- Henri was nowhere near as important a character as he is in the book. While the way he died in the movie worked, it also wasn't quite as sad as in the book and didn't seem to effect John as much.
- Compressing the timeline improved the pace, but it also made the trip to school to develop photos (in between Sarah's rescue and the final battle) really, really dumb. Why, oh why, when you're on the run from evil aliens trying to assassinate you, would you make a pit stop to develop photos?! Seriously.
Rating: 3/5
Eye candy
As I mentioned in my review of the book, I already had Alex Pettyfer, Dianna Agron and Teresa Palmer in my head when I read it. Dianna matched the description of her character perfectly, and although Teresa didn't, I thought she was great anyway. John never really describes himself in the book and Alex, of course, is super pretty, but he just doesn't do it for me. Maybe it's because I remember watching him as a little kid in Tom Brown's Schooldays not so long ago, and it makes me feel super-old:
I was surprised at how young and pretty Henri was (played by Timothy Olyphant), but other than his scarily white teeth, I couldn't really complain:
Sam (Callan McAuliffe) looked a lot different than how I pictured him (obviously), but that didn't bother me (Aussie, Aussie, Aussie!):