|Note to filmmakers: getting a kid to scrunch his eyes up and splashing water on his face does not equal realistic crying.|
- The land was named Fantasia in the movie, rather than Fantastica. Maybe it's because I grew up with the movie, but I much prefer the name Fantasia.
- We first meet Atreyu in the Ivory Tower, rather than his own land. I can understand why this was done - I'm sure it was for budget/time reasons, but I liked how it moved us straight in to the action.
- Atreyu doesn't have green skin, but really I think it would have just been distracting. Apparently the filmmakers did experiment with turning the actor's skin green with a few different techniques, but nothing looked right. I'm glad they passed.
- Artax the horse can't speak as he can in the book, but again I think it would have just been cheesy if they had carried this over to the film. Plus Atreyu has the ability to understand him, anyway.
- There were only two gates to get to the Oracle, not three. It's not as pretty or "magical" a number, but I can see why it would have been cut for time constraints. The Oracle itself is a pair of sphinxes, rather than a bodiless "song" - again, I can understand why this change was made. As it was in the book I don't think it would have worked on screen.
- The Nothing looks like a storm, rather than literally nothing. Again, the book version wouldn't have worked in a visual medium.
- Atreyu meets the Rock Biter. I liked that it tied the beginning of the story in to the larger narrative.
- We see Falcor and the other characters almost immediately after Fantasia is restored, as opposed to the numerous chapters it takes to get back to them in the book. They're the characters we've come to care about, so it makes sense to continue the journey with them as soon as possible.
- The movie only covers the first half of the book - but where they end the story makes a lot more sense than the way it was dragged out in the novel.
|I used to think Atreyu was dreamy. Huh.|
- In the book, Bastian's dad is still mourning the loss of his wife and barely functioning, neglecting Bastian as a result. Bastian, while he misses his mum, wants to get on with life, and part of the beauty of the book is the way his journey ultimately takes him back home - to his dad, and to love. In the movie, however, it is Bastian who is struggling to cope without his mother, while his dad urges him to move on. His dad is caring but distant and a little hard on him. I just felt Bastian's loneliness was more palpable in the book, where he had effectively lost two parents at once. The movie also didn't resolve Bastian's relationship with his father, which was frustrating.
- The book-within-the-movie, The Neverending Story, is described as a dangerous, one-off magical item, whereas the book-within-the-book was just one of many pathways to Fantastica, the land of stories. The movie version weakens the allegory of what it means to get lost in a story. In fact, Fantasia is described as the land of dreams, not stories, in the film. Not the same thing!
- When Bastian takes the book, he leaves a note saying he'll bring it back - something he doesn't do in the book. While this makes him a nicer character, it doesn't explain why he has to hide away in the school attic all day, creating a plot hole.
- AURYN's power isn't explained properly, so, for example, it's not clear why Atreyu isn't pulled down by the sadness in the swamps.
- Falcor rescues Atreyu, not the other way around. This is pretty random and doesn't explain Falcor's devotion to the boy.
- The Nothing doesn't seem as threatening as it does in the book - people don't feel the compulsion to walk in to it (that, for me, was the scariest part). We even see Falcor flying through the Nothing - which makes absolutely no sense. It's not Nothing if you can fly through it! OK, it's not Nothing if you can see it either, and I said that worked for the film - but having Falcor and Atreyu travelling through it just makes it seem even less frightening.
- The Empress is much less empowered in the movie. She doesn't take action herself, as she does in the book. Leaving zero strong female characters.
- The Empress gives Bastian sand, "all that's left of Fantastia" to make a wish, instead of AURYN. Seriously, why did they bother putting AURYN in the movie if they weren't going to make use of it?!
- After Bastian restores Fantasia, EVERYONE comes back, "like the Nothing never was". I'm all for a happy ending, but even Artax comes back - and he didn't even die because of the Nothing. He died because of the swamp. It makes no sense, and again undermines the danger of the Nothing in the first place.
- Bastian flies on Falcor's back through New York City (don't ask me how they get there) to take vengeance on his bullies. An eye for an eye isn't exactly a good message (though perhaps I'm particularly sensitive to that thanks to the current atmosphere in blogland), but moreover - it's just tacky, cheesy and really, really lame.
- I know some people may disagree, but the change in Bastian's physical appearance (from fat and unattractive to skinny and cute) didn't materially affect the story for me. You don't have to be fat to feel like an outsider, or to be bullied, or to want to get lost in stories. Just sayin'.
- The Rock Biter is the character we first "follow" into Fantasia, rather than the Will-o-the-Wisp, but the scene achieved the same message - that the Nothing was consuming all parts of the land.
|ARTAAAAAAAAAX. Still made me want to cry|